B neapolitan major chords

All ukulele chords for the B neapolitan major scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

B neapolitan major scale diatonic chords

IB minor
GCEA1113
2frGCEA11344frGCEA13425frGCEA3241
IIC aug
GCEA14
GCEA13423frGCEA42314frGCEA1124
IIID aug
GCEA2231
2frGCEA11243frGCEA13426frGCEA1124
IVE major
GCEA142
GCEA23414frGCEA11147frGCEA1143
VF♯ unknown
F♯ - A♯ - C
VIA♭ dim
GCEA1243
GCEA11345frGCEA243110frGCEA4213
VIIC unknown
A♯ - C - E

B neapolitan major scale seventh chords

IB mmaj7
GCEA2241
GCEA11124frGCEA13427frGCEA1143
IIC major seventh flat sixth
C - E - G♯ - B
IIID unknown
D - F♯ - A♯ - C
IVE 7
GCEA123
4frGCEA11127frGCEA11129frGCEA1324
VF♯ unknown
F♯ - A♯ - C - E
VIA♭ m7♭5
GCEA1234
4frGCEA11327frGCEA112310frGCEA2314
VIIC unknown
A♯ - C - E - G♯

scale

Ukulele fretboard diagram

B neapolitan major scale — ukulele fretboard diagramInteractive fretboard diagram showing the B neapolitan major scale on ukulele with 15 frets. Notes: A#, B, C, D, E, F#, G#.A#BCDEF#G#A#BCEF#G#A#BCDEF#CDEF#G#A#BCDG#A#BCDEF#G#A#13579111213

B neapolitan major scale — ukulele chords and intervals

The harmonized B neapolitan major scale produces a sophisticated chord family where the flat second degree creates elegant chromatic approaches to the tonic. The chords from B neapolitan major are B minor, C augmented, D augmented, E major, F# unknown, G# diminished, C unknown. The Neapolitan chord (bII) is one of the most beautiful pre-dominant chords in classical music. It adds a Spanish chromatic flavor that elevates cadences from functional to sublime. Commonly used in Classical, Opera, Film Scores. Notable players include Chopin, Verdi, Puccini.

The B neapolitan major scale has the following degrees: 1 ♭2 ♭3 4 5 6 7.

Intervals: H-W-W-W-W-W-H.

Diatonic chords: B minor, C augmented, D augmented, E major, F# unknown, G# diminished, C unknown.

DegreesChord
IB minor
iiC augmented
iiiD augmented
IVE major
VF# unknown
viG# diminished
vii°C unknown

Degree-by-Degree Analysis

The I chord (B minor) is the tonic — the gravitational center of the key. The ii chord (C augmented) is the minor subdominant, commonly used to approach the V chord. The iii chord (D augmented) functions as a substitute for the I or vi. The IV chord (E major) is the subdominant — it adds motion and moderate tension. The V chord (F# unknown) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (G# diminished) is the relative minor — it brings emotional color and depth. The vii° chord (C unknown) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the B neapolitan major scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the B neapolitan major scale on ukulele.

Related Scales

How to Use This Scale

Use over bII-V-I cadences. The source of the Neapolitan sixth chord, one of classical music's most elegant chromatic devices.

Explore B neapolitan major Further