B messiaen's mode #4 chords

All ukulele chords for the B messiaen's mode #4 scale

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Harmony
Originalii–V–ISec. Dom.

B messiaen's mode #4 scale diatonic chords

IC♯ unknown
B - C♯ - F
IIC unknown
C - E - F♯
IIIC♯ unknown
C♯ - F - G
IVF♯ unknown
E - F♯ - A♯
VG unknown
F - G - B
VIF♯ unknown
F♯ - A♯ - C
VIIG unknown
G - B - C♯
VIIIC unknown
A♯ - C - E

B messiaen's mode #4 scale seventh chords

IC♯ unknown
B - C♯ - F - G
IIC unknown
C - E - F♯ - A♯
IIIC♯ unknown
C♯ - F - G - B
IVC unknown
E - F♯ - A♯ - C
VC♯ unknown
F - G - B - C♯
VIF♯ unknown
F♯ - A♯ - C - E
VIIG unknown
G - B - C♯ - F
VIIIC unknown
A♯ - C - E - F♯

scale

Ukulele fretboard diagram

B messiaen's mode #4 scale — ukulele fretboard diagramInteractive fretboard diagram showing the B messiaen's mode #4 scale on ukulele with 15 frets. Notes: A#, B, C, C#, E, F, F#, G.A#BCC#EFF#GA#BCEFF#GA#BCC#EFF#GCC#EFF#GA#BCC#GA#BCC#EFF#GA#13579111213

B messiaen's mode #4 scale — ukulele chords and intervals

Harmonizing the B messiaen's mode #4 scale produces a disorienting chord family designed to eliminate the listener's sense of tonal direction. The chords of B messiaen's mode #4 are C# unknown, C unknown, C# unknown, F# unknown, G unknown, F# unknown, G unknown, C unknown. Messiaen called this the charm of impossibilities. The chord movements feel endlessly circular, creating spiritual wonder and a sense of infinite harmonic space. Commonly used in Contemporary Classical, Film Scores, Experimental. Notable players include Olivier Messiaen.

The B messiaen's mode #4 scale has the following degrees: 1 ♭2 2 4 ♯4 5 ♭6 7.

Intervals: H-H-3H-H-H-H-3H-H.

Diatonic chords: C# unknown, C unknown, C# unknown, F# unknown, G unknown, F# unknown, G unknown, C unknown.

DegreesChord
IC# unknown
iiC unknown
iiiC# unknown
IVF# unknown
VG unknown
viF# unknown
vii°G unknown
8C unknown

Degree-by-Degree Analysis

The I chord (C# unknown) is the tonic — the gravitational center of the key. The ii chord (C unknown) is the minor subdominant, commonly used to approach the V chord. The iii chord (C# unknown) functions as a substitute for the I or vi. The IV chord (F# unknown) is the subdominant — it adds motion and moderate tension. The V chord (G unknown) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (F# unknown) is the relative minor — it brings emotional color and depth. The vii° chord (G unknown) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the B messiaen's mode #4 scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the B messiaen's mode #4 scale on ukulele.

Related Scales

How to Use This Scale

Use for avant-garde composition and film scoring where traditional tonal direction should dissolve.

Explore B messiaen's mode #4 Further