B melodic minor chords

All ukulele chords for the B melodic minor scale

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Originalii–V–ISec. Dom.
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B melodic minor scale diatonic chords

IB minor
GCEA3111
2frGCEA31144frGCEA13425frGCEA3241
IIC♯ minor
GCEA1234
4frGCEA21114frGCEA31146frGCEA1342
IIID aug
GCEA3221
2frGCEA21143frGCEA13426frGCEA2114
IVE major
GCEA142
GCEA23414frGCEA11147frGCEA4311
VF♯ major
GCEA3121
GCEA31246frGCEA11149frGCEA3211
VIA♭ dim
GCEA1243
GCEA31415frGCEA243110frGCEA4213
VIIB♭ dim
GCEA312
3frGCEA12434frGCEA31417frGCEA2431

B melodic minor scale seventh chords

IB mmaj7
GCEA4221
GCEA21114frGCEA13427frGCEA1413
IIC♯ m7
GCEA123
GCEA11116frGCEA13229frGCEA1324
IIID maj7♯5
GCEA2113
4frGCEA42315frGCEA23417frGCEA1423
IVE 7
GCEA123
4frGCEA11127frGCEA12119frGCEA1324
VF♯ 7
GCEA2314
6frGCEA11129frGCEA121111frGCEA1324
VIA♭ m7♭5
GCEA1234
4frGCEA13127frGCEA121310frGCEA2314
VIIB♭ m7♭5
GCEA123
GCEA12346frGCEA13129frGCEA1213

scale

Ukulele fretboard diagram

B melodic minor scale — ukulele fretboard diagramInteractive fretboard diagram showing the B melodic minor scale on ukulele with 15 frets. Notes: A#, B, C#, D, E, F#, G#.A#BC#DEF#G#A#BEF#G#A#BC#DEF#C#DEF#G#A#BC#DG#A#BC#DEF#G#A#13579111213

B melodic minor scale — ukulele chords and intervals

The harmonized B melodic minor scale generates a sophisticated chord family widely used in jazz composition and arranging. Its unique combination of altered chords makes it the go-to source for modern harmonic color. The chords built from B melodic minor are Bm6, C#m7, D+maj7, E7, F#7, G#m7b5, A#m7b5. The i-II progression creates a distinctive jazz-minor sound, and the IV7 chord is the basis for the Lydian Dominant sound used in fusion. Many jazz standards exploit these chords for smooth, unexpected voice leading. Commonly used in Jazz, Fusion, Contemporary Classical, Progressive. Notable players include Pat Metheny, John Coltrane, Allan Holdsworth.

The B melodic minor scale has the following degrees: 1 2 ♭3 4 5 6 7.

Intervals: W-H-W-W-W-W-H.

Diatonic chords: Bm6, C#m7, D+maj7, E7, F#7, G#m7b5, A#m7b5.

DegreesChord
IBm6
iiC#m7
iiiD+maj7
IVE7
VF#7
viG#m7b5
vii°A#m7b5

Degree-by-Degree Analysis

The I chord (Bm6) is the tonic — the gravitational center of the key. The ii chord (C#m7) is the minor subdominant, commonly used to approach the V chord. The iii chord (D+maj7) functions as a substitute for the I or vi. The IV chord (E7) is the subdominant — it adds motion and moderate tension. The V chord (F#7) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (G#m7b5) is the relative minor — it brings emotional color and depth. The vii° chord (A#m7b5) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the B melodic minor scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the B melodic minor scale on ukulele.

Related Scales

How to Use This Scale

Use over m(Maj7), m6 chords. Its modes cover nearly every altered dominant situation in jazz. The 'jazz minor' is the single most important advanced scale system.

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