B lydian chords

All ukulele chords for the B lydian scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

B lydian scale diatonic chords

IB major
GCEA1132
4frGCEA12436frGCEA113211frGCEA1114
IIC♯ major
GCEA1114
4frGCEA11326frGCEA12438frGCEA1132
IIIE♭ minor
GCEA3421
3frGCEA33316frGCEA11136frGCEA1134
IVF dim
2frGCEA2431
7frGCEA421310frGCEA124311frGCEA1134
VF♯ major
GCEA1132
GCEA31246frGCEA11149frGCEA1132
VIA♭ minor
GCEA1342
GCEA32413frGCEA21346frGCEA3421
VIIB♭ minor
GCEA1113
GCEA11343frGCEA13424frGCEA3241

B lydian scale seventh chords

IB maj7
GCEA4321
GCEA11234frGCEA12347frGCEA2413
IIC♯ 7
GCEA1112
4frGCEA11126frGCEA13249frGCEA2314
IIIE♭ m7
GCEA2213
6frGCEA11118frGCEA221311frGCEA1324
IVF m7♭5
GCEA1132
4frGCEA11237frGCEA231410frGCEA1234
VF♯ maj7
2frGCEA2413
6frGCEA11138frGCEA43219frGCEA1123
VIA♭ m7
GCEA2213
4frGCEA13247frGCEA221311frGCEA1111
VIIB♭ m7
GCEA1111
3frGCEA22136frGCEA13249frGCEA2213

scale

Ukulele fretboard diagram

B lydian scale — ukulele fretboard diagramInteractive fretboard diagram showing the B lydian scale on ukulele with 15 frets. Notes: A#, B, C#, D#, F, F#, G#.A#BC#D#FF#G#A#BFF#G#A#BC#D#FF#C#D#FF#G#A#BC#D#G#A#BC#D#FF#G#A#13579111213

B lydian scale — ukulele chords and intervals

Harmonizing the B lydian scale produces a luminous chord family where the II major chord replaces the typical ii minor. This bright alteration gives Lydian harmony its characteristic floating, unresolved quality. The diatonic chords of B lydian are BMaj7, C#7, D#m7, Fm7b5, F#Maj7, G#m7, A#m7. The I-II progression is the hallmark Lydian vamp, creating a sense of wonder without traditional tension. Film composers favor Lydian harmony for scenes of awe and discovery. The #iv diminished chord adds a touch of instability that keeps the brightness from becoming static. Commonly used in Film Scores, Progressive Rock, Fusion, Ambient, Dream Pop. Notable players include Joe Satriani, Steve Vai, John Williams, Hans Zimmer.

The B lydian scale has the following degrees: 1 2 3 ♯4 5 6 7.

Intervals: W-W-W-H-W-W-H.

Diatonic chords: BMaj7, C#7, D#m7, Fm7b5, F#Maj7, G#m7, A#m7.

DegreesChord
IBMaj7
iiC#7
iiiD#m7
IVFm7b5
VF#Maj7
viG#m7
vii°A#m7

Degree-by-Degree Analysis

The I chord (BMaj7) is the tonic — the gravitational center of the key. The ii chord (C#7) is the minor subdominant, commonly used to approach the V chord. The iii chord (D#m7) functions as a substitute for the I or vi. The IV chord (Fm7b5) is the subdominant — it adds motion and moderate tension. The V chord (F#Maj7) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (G#m7) is the relative minor — it brings emotional color and depth. The vii° chord (A#m7) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the B lydian scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the B lydian scale on ukulele.

lydian is the 4th mode of the Major scale. View B Major scale

Related Scales

How to Use This Scale

Use over Maj7#11, Maj9 chords. Ideal for non-resolving major passages. Avoid when the music needs to feel grounded or resolved.

Explore B lydian Further