B locrian chords

All ukulele chords for the B locrian scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

B locrian scale diatonic chords

IB dim
GCEA4213
4frGCEA12435frGCEA11348frGCEA2431
IIC major
GCEA3
GCEA1123frGCEA11325frGCEA1243
IIID minor
GCEA231
2frGCEA12345frGCEA11135frGCEA1134
IVE minor
GCEA321
GCEA34214frGCEA12347frGCEA1113
VF major
GCEA21
GCEA2135frGCEA11148frGCEA1132
VIG major
GCEA132
GCEA11322frGCEA31247frGCEA1114
VIIA minor
GCEA2
GCEA232frGCEA13423frGCEA3241

B locrian scale seventh chords

IB m7♭5
GCEA2314
4frGCEA12347frGCEA113210frGCEA1123
IIC maj7
GCEA2
2frGCEA4321GCEA11235frGCEA1234
IIID m7
GCEA2213
5frGCEA11117frGCEA221310frGCEA1324
IVE m7
GCEA12
3frGCEA22137frGCEA11119frGCEA2213
VF maj7
GCEA2413
5frGCEA11137frGCEA43218frGCEA1123
VIG 7
GCEA213
3frGCEA23147frGCEA111210frGCEA1112
VIIA m7
GCEA
GCEA22135frGCEA13248frGCEA2213

scale

Ukulele fretboard diagram

B locrian scale — ukulele fretboard diagramInteractive fretboard diagram showing the B locrian scale on ukulele with 15 frets. Notes: A, B, C, D, E, F, G.ABCDEFGABCEFGABCDEFGCDEFGABCDGABCDEFGA13579111213

B locrian scale — ukulele chords and intervals

The harmonized B locrian scale generates the most unstable chord family of all the modes, with a diminished tonic chord that provides no sense of rest. This makes Locrian harmony a specialized tool for creating extreme tension. The chords of B locrian are Bm7b5, CMaj7, Dm7, Em7, FMaj7, G7, Am7. In practice, Locrian chords are used over half-diminished passages in jazz rather than as a standalone key. The i°-bII movement creates a restless, searching quality useful for transitional sections and building suspense. Commonly used in Jazz, Metal, Experimental, Avant-Garde. Notable players include John Coltrane, Meshuggah, Dream Theater.

The B locrian scale has the following degrees: 1 ♭2 ♭3 4 ♭5 ♭6 ♭7.

Intervals: H-W-W-H-W-W-W.

Diatonic chords: Bm7b5, CMaj7, Dm7, Em7, FMaj7, G7, Am7.

DegreesChord
IBm7b5
iiCMaj7
iiiDm7
IVEm7
VFMaj7
viG7
vii°Am7

Degree-by-Degree Analysis

The I chord (Bm7b5) is the tonic — the gravitational center of the key. The ii chord (CMaj7) is the minor subdominant, commonly used to approach the V chord. The iii chord (Dm7) functions as a substitute for the I or vi. The IV chord (Em7) is the subdominant — it adds motion and moderate tension. The V chord (FMaj7) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (G7) is the relative minor — it brings emotional color and depth. The vii° chord (Am7) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the B locrian scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the B locrian scale on ukulele.

locrian is the 7th mode of the Major scale. View B Major scale

Related Scales

How to Use This Scale

Use over m7b5 (half-diminished) chords. Essential for jazz ii-V-i in minor keys where the ii chord is half-diminished.

Explore B locrian Further