B locrian major chords

All ukulele chords for the B locrian major scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

B locrian major scale diatonic chords

IB unknown
B - D♯ - F
IIC♯ dim
3frGCEA4213
6frGCEA12437frGCEA113410frGCEA2431
IIIF unknown
D♯ - F - A
IVE minor
GCEA321
GCEA34214frGCEA12347frGCEA1113
VF aug
GCEA312
GCEA11242frGCEA13425frGCEA1124
VIG aug
GCEA231
GCEA22313frGCEA11244frGCEA1342
VIIA major
GCEA21
2frGCEA12434frGCEA11429frGCEA1114

B locrian major scale seventh chords

IB unknown
B - D♯ - F - A
IIC♯ m7♭5
GCEA12
GCEA23146frGCEA12349frGCEA1132
IIIC♯ unknown
D♯ - F - A - C♯
IVE mmaj7
GCEA21
3frGCEA22146frGCEA22417frGCEA1112
VF major seventh flat sixth
F - A - C♯ - E
VIG unknown
G - B - D♯ - F
VIIA 7
GCEA1
GCEA13245frGCEA23149frGCEA1112

scale

Ukulele fretboard diagram

B locrian major scale — ukulele fretboard diagramInteractive fretboard diagram showing the B locrian major scale on ukulele with 15 frets. Notes: A, B, C#, D#, E, F, G.ABC#D#EFGABEFGABC#D#EFGC#D#EFGABC#D#GABC#D#EFGA13579111213

B locrian major scale — ukulele chords and intervals

Harmonizing the B locrian major scale yields a paradoxical chord family that sounds simultaneously familiar and alien. The chords of B locrian major are B unknown, C# diminished, F unknown, E minor, F augmented, G augmented, A major. The major third against a Locrian base creates cognitive dissonance in the listener. These chords are used in experimental 20th-century compositions to explore the boundary between tonality and atonality. Commonly used in Experimental, Contemporary Classical, Avant-Garde. Notable players include Bela Bartok, Gyorgy Ligeti.

The B locrian major scale has the following degrees: 1 2 3 4 ♭5 ♭6 ♭7.

Intervals: W-W-H-H-W-W-W.

Diatonic chords: B unknown, C# diminished, F unknown, E minor, F augmented, G augmented, A major.

DegreesChord
IB unknown
iiC# diminished
iiiF unknown
IVE minor
VF augmented
viG augmented
vii°A major

Degree-by-Degree Analysis

The I chord (B unknown) is the tonic — the gravitational center of the key. The ii chord (C# diminished) is the minor subdominant, commonly used to approach the V chord. The iii chord (F unknown) functions as a substitute for the I or vi. The IV chord (E minor) is the subdominant — it adds motion and moderate tension. The V chord (F augmented) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (G augmented) is the relative minor — it brings emotional color and depth. The vii° chord (A major) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the B locrian major scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the B locrian major scale on ukulele.

Related Scales

How to Use This Scale

Use in experimental composition over polytonal or atonal passages. A tool for creating cognitive dissonance.

Explore B locrian major Further