B locrian 6 chords

All ukulele chords for the B locrian 6 scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

B locrian 6 scale diatonic chords

IB dim
GCEA4213
4frGCEA12435frGCEA11348frGCEA2431
IIC aug
GCEA14
GCEA13423frGCEA42314frGCEA1124
IIID minor
GCEA231
2frGCEA12345frGCEA11135frGCEA1134
IVE major
GCEA142
GCEA23414frGCEA11147frGCEA1143
VF major
GCEA21
GCEA2135frGCEA11148frGCEA1132
VIA♭ dim
GCEA1243
GCEA11345frGCEA243110frGCEA4213
VIIA minor
GCEA2
GCEA232frGCEA13423frGCEA3241

B locrian 6 scale seventh chords

IB m7♭5
GCEA2314
4frGCEA12347frGCEA113210frGCEA1123
IIC major seventh flat sixth
C - E - G♯ - B
IIID m7
GCEA2213
5frGCEA11117frGCEA221310frGCEA1324
IVE 7
GCEA123
4frGCEA11127frGCEA11129frGCEA1324
VF maj7
GCEA2413
5frGCEA11137frGCEA43218frGCEA1123
VIA♭ dim7
GCEA1324
4frGCEA13247frGCEA132410frGCEA1324
VIIA mmaj7
GCEA1
GCEA13425frGCEA11438frGCEA2214

scale

Ukulele fretboard diagram

B locrian 6 scale — ukulele fretboard diagramInteractive fretboard diagram showing the B locrian 6 scale on ukulele with 15 frets. Notes: A, B, C, D, E, F, G#.ABCDEFG#ABCEFG#ABCDEFCDEFG#ABCDG#ABCDEFG#A13579111213

B locrian 6 scale — ukulele chords and intervals

The harmonized B locrian 6 scale generates a rare chord family that adds a bright sixth to an otherwise dark Locrian foundation. The chords from B locrian 6 are B diminished, C augmented, D minor, E major, F major, G# diminished, A minor. The major sixth creates unexpected moments of light within the darkness, useful for experimental compositions that explore the boundary between consonance and dissonance. Commonly used in Experimental, Jazz, Avant-Garde. Notable players include Allan Holdsworth, Steve Coleman.

The B locrian 6 scale has the following degrees: 1 ♭2 ♭3 4 ♭5 6 ♭7.

Intervals: H-W-W-H-3H-H-W.

Diatonic chords: B diminished, C augmented, D minor, E major, F major, G# diminished, A minor.

DegreesChord
IB diminished
iiC augmented
iiiD minor
IVE major
VF major
viG# diminished
vii°A minor

Degree-by-Degree Analysis

The I chord (B diminished) is the tonic — the gravitational center of the key. The ii chord (C augmented) is the minor subdominant, commonly used to approach the V chord. The iii chord (D minor) functions as a substitute for the I or vi. The IV chord (E major) is the subdominant — it adds motion and moderate tension. The V chord (F major) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (G# diminished) is the relative minor — it brings emotional color and depth. The vii° chord (A minor) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the B locrian 6 scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the B locrian 6 scale on ukulele.

locrian 6 is the 2nd mode of the Harmonic Minor scale. View B Harmonic minor scale

Related Scales

How to Use This Scale

Use over diminished and half-diminished chords in experimental contexts. A modal exploration tool rather than a standard jazz choice.

Explore B locrian 6 Further