B locrian #2 chords

All ukulele chords for the B locrian #2 scale

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Harmony
Originalii–V–ISec. Dom.
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B locrian #2 scale diatonic chords

IB dim
GCEA4213
4frGCEA12435frGCEA31418frGCEA2431
IIC♯ dim
3frGCEA4213
6frGCEA12437frGCEA314110frGCEA2431
IIID minor
GCEA231
2frGCEA12345frGCEA31115frGCEA3114
IVE minor
GCEA321
GCEA34214frGCEA12347frGCEA3111
VF aug
GCEA312
GCEA21142frGCEA13425frGCEA2114
VIG major
GCEA132
GCEA31212frGCEA31247frGCEA1114
VIIA major
GCEA21
2frGCEA12434frGCEA41219frGCEA1114

B locrian #2 scale seventh chords

IB m7♭5
GCEA2314
4frGCEA12347frGCEA131210frGCEA1213
IIC♯ m7♭5
GCEA12
GCEA23146frGCEA12349frGCEA1312
IIID mmaj7
GCEA2214
4frGCEA42215frGCEA21117frGCEA1342
IVE m7
GCEA12
3frGCEA22137frGCEA11119frGCEA1322
VF major seventh flat sixth
F - A - C♯ - E
VIG 7
GCEA213
3frGCEA23147frGCEA111210frGCEA1211
VIIA 7
GCEA1
GCEA13245frGCEA23149frGCEA1112

scale

Ukulele fretboard diagram

B locrian #2 scale — ukulele fretboard diagramInteractive fretboard diagram showing the B locrian #2 scale on ukulele with 15 frets. Notes: A, B, C#, D, E, F, G.ABC#DEFGABEFGABC#DEFGC#DEFGABC#DGABC#DEFGA13579111213

B locrian #2 scale — ukulele chords and intervals

The harmonized B locrian #2 scale produces a more melodic half-diminished chord family, with a natural second degree that enables smoother voice leading than standard Locrian. The chords from B locrian #2 are B diminished, C# diminished, D minor, E minor, F augmented, G major, A major. Jazz musicians prefer these chords for ii-V-i progressions in minor keys. The natural 2 allows for more singable melodic lines over the half-diminished chord, making this the standard choice for minor ii-V resolution. Commonly used in Jazz, Post-Bop, Contemporary. Notable players include John Coltrane, Woody Shaw, Steve Coleman.

The B locrian #2 scale has the following degrees: 1 2 ♭3 4 ♭5 ♭6 ♭7.

Intervals: W-H-W-H-W-W-W.

Diatonic chords: B diminished, C# diminished, D minor, E minor, F augmented, G major, A major.

DegreesChord
IB diminished
iiC# diminished
iiiD minor
IVE minor
VF augmented
viG major
vii°A major

Degree-by-Degree Analysis

The I chord (B diminished) is the tonic — the gravitational center of the key. The ii chord (C# diminished) is the minor subdominant, commonly used to approach the V chord. The iii chord (D minor) functions as a substitute for the I or vi. The IV chord (E minor) is the subdominant — it adds motion and moderate tension. The V chord (F augmented) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (G major) is the relative minor — it brings emotional color and depth. The vii° chord (A major) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the B locrian #2 scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the B locrian #2 scale on ukulele.

locrian #2 is the 6th mode of the Melodic Minor scale. View B Melodic minor scale

Related Scales

How to Use This Scale

Use over m7b5 chords. The preferred jazz choice over half-diminished chords (vs standard Locrian which sounds too harsh).

Explore B locrian #2 Further