B leading whole tone chords

All ukulele chords for the B leading whole tone scale

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Harmony
Originalii–V–ISec. Dom.
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B leading whole tone scale diatonic chords

IB aug
GCEA231
GCEA32213frGCEA21144frGCEA1342
IIC♯ aug
GCEA312
GCEA21142frGCEA13424frGCEA4231
IIIE♭ major
GCEA341
GCEA23413frGCEA11146frGCEA3211
IVF unknown
F - A - B
VG dim
GCEA132
GCEA31414frGCEA24319frGCEA4213
VIB unknown
A - B - D♯
VIIB♭ minor
GCEA3111
GCEA31143frGCEA13424frGCEA3241

B leading whole tone scale seventh chords

IB major seventh flat sixth
B - D♯ - G - A♯
IIC♯ unknown
C♯ - F - A - B
IIIE♭ 7
GCEA1112
6frGCEA12118frGCEA132411frGCEA2314
IVF unknown
F - A - B - D♯
VG m7♭5
GCEA123
3frGCEA13126frGCEA12139frGCEA2314
VIG unknown
A - B - D♯ - G
VIIB♭ mmaj7
GCEA312
GCEA21113frGCEA13426frGCEA1413

scale

Ukulele fretboard diagram

B leading whole tone scale — ukulele fretboard diagramInteractive fretboard diagram showing the B leading whole tone scale on ukulele with 15 frets. Notes: A, A#, B, C#, D#, F, G.AA#BC#D#FGAA#BFGAA#BC#D#FGC#D#FGAA#BC#D#GAA#BC#D#FGAA#13579111213

B leading whole tone scale — ukulele chords and intervals

The harmonized B leading whole tone scale generates a chord set that floats through whole-tone ambiguity before arriving at a point of resolution. The chords from B leading whole tone are B augmented, C# augmented, D# major, F unknown, G diminished, B unknown, A# minor. The final degree provides the leading-tone tension that whole-tone harmony alone cannot achieve. Use these chords to create passages that drift weightlessly before landing on a satisfying cadence. Commonly used in Impressionist, Film Scores, Jazz. Notable players include Claude Debussy, Maurice Ravel.

The B leading whole tone scale has the following degrees: 1 2 3 ♯4 ♯5 ♭7 7.

Intervals: W-W-W-W-W-H-H.

Diatonic chords: B augmented, C# augmented, D# major, F unknown, G diminished, B unknown, A# minor.

DegreesChord
IB augmented
iiC# augmented
iiiD# major
IVF unknown
VG diminished
viB unknown
vii°A# minor

Degree-by-Degree Analysis

The I chord (B augmented) is the tonic — the gravitational center of the key. The ii chord (C# augmented) is the minor subdominant, commonly used to approach the V chord. The iii chord (D# major) functions as a substitute for the I or vi. The IV chord (F unknown) is the subdominant — it adds motion and moderate tension. The V chord (G diminished) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (B unknown) is the relative minor — it brings emotional color and depth. The vii° chord (A# minor) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the B leading whole tone scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the B leading whole tone scale on ukulele.

Related Scales

How to Use This Scale

Use as a transition device or over augmented chords that need to resolve. The leading tone provides a gentle gravitational pull absent in pure whole tone.

Explore B leading whole tone Further