B harmonic minor chords

All ukulele chords for the B harmonic minor scale

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Harmony
Originalii–V–ISec. Dom.

B harmonic minor scale diatonic chords

IB minor
GCEA1113
2frGCEA11344frGCEA13425frGCEA3241
IIC♯ dim
3frGCEA4213
6frGCEA12437frGCEA113410frGCEA2431
IIID aug
GCEA2231
2frGCEA11243frGCEA13426frGCEA1124
IVE minor
GCEA321
GCEA34214frGCEA12347frGCEA1113
VF♯ major
GCEA1132
GCEA31246frGCEA11149frGCEA1132
VIG major
GCEA132
GCEA11322frGCEA31247frGCEA1114
VIIB♭ dim
GCEA312
3frGCEA12434frGCEA11347frGCEA2431

B harmonic minor scale seventh chords

IB mmaj7
GCEA2241
GCEA11124frGCEA13427frGCEA1143
IIC♯ m7♭5
GCEA12
GCEA23146frGCEA12349frGCEA1132
IIID maj7♯5
GCEA1123
4frGCEA42315frGCEA23417frGCEA1423
IVE m7
GCEA12
3frGCEA22137frGCEA11119frGCEA2213
VF♯ 7
GCEA2314
6frGCEA11129frGCEA111211frGCEA1324
VIG maj7
GCEA123
3frGCEA24137frGCEA11139frGCEA4321
VIIB♭ dim7
GCEA12
GCEA13246frGCEA13249frGCEA1324

scale

Ukulele fretboard diagram

B harmonic minor scale — ukulele fretboard diagramInteractive fretboard diagram showing the B harmonic minor scale on ukulele with 15 frets. Notes: A#, B, C#, D, E, F#, G.A#BC#DEF#GA#BEF#GA#BC#DEF#GC#DEF#GA#BC#DGA#BC#DEF#GA#13579111213

B harmonic minor scale — ukulele chords and intervals

Harmonizing the B harmonic minor scale produces a unique chord family with a dominant V chord in a minor context, enabling strong authentic cadences. The raised seventh degree creates dramatic chord colors not found in natural minor. The chords of B harmonic minor are BmMaj7, C#m7b5, D+maj7, Em7, F#7, Gmaj7, A#o7. The V-i resolution is the defining sound of classical minor-key music. The augmented III chord adds exotic flavor, while the diminished vii° provides intense leading-tone tension perfect for neo-classical and flamenco progressions. Commonly used in Metal, Classical, Flamenco, Film Scores, Neoclassical. Notable players include Yngwie Malmsteen, Ritchie Blackmore, Johann Sebastian Bach.

The B harmonic minor scale has the following degrees: 1 2 ♭3 4 5 ♭6 7.

Intervals: W-H-W-W-H-3H-H.

Diatonic chords: BmMaj7, C#m7b5, D+maj7, Em7, F#7, Gmaj7, A#o7.

DegreesChord
IBmMaj7
iiC#m7b5
iiiD+maj7
IVEm7
VF#7
viGmaj7
vii°A#o7

Degree-by-Degree Analysis

The I chord (BmMaj7) is the tonic — the gravitational center of the key. The ii chord (C#m7b5) is the minor subdominant, commonly used to approach the V chord. The iii chord (D+maj7) functions as a substitute for the I or vi. The IV chord (Em7) is the subdominant — it adds motion and moderate tension. The V chord (F#7) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (Gmaj7) is the relative minor — it brings emotional color and depth. The vii° chord (A#o7) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the B harmonic minor scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the B harmonic minor scale on ukulele.

Related Scales

How to Use This Scale

Use over m(Maj7), m7, dim7 chords. Essential for creating V7 → i resolutions in minor keys. The raised 7th provides the leading tone that natural minor lacks.

Explore B harmonic minor Further