B altered chords

All ukulele chords for the B altered scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

B altered scale diatonic chords

IB dim
GCEA4213
4frGCEA12435frGCEA11348frGCEA2431
IIC minor
GCEA123
3frGCEA11133frGCEA11345frGCEA1342
IIID minor
GCEA231
2frGCEA12345frGCEA11135frGCEA1134
IVE♭ aug
GCEA321
GCEA22313frGCEA11244frGCEA1342
VF major
GCEA21
GCEA2135frGCEA11148frGCEA1132
VIG major
GCEA132
GCEA11322frGCEA31247frGCEA1114
VIIA dim
2frGCEA1243
3frGCEA11346frGCEA243111frGCEA4213

B altered scale seventh chords

IB m7♭5
GCEA2314
4frGCEA12347frGCEA113210frGCEA1123
IIC mmaj7
2frGCEA2241
GCEA11125frGCEA13428frGCEA1132
IIID m7
GCEA2213
5frGCEA11117frGCEA221310frGCEA1324
IVE♭ major seventh flat sixth
D♯ - G - B - D
VF 7
GCEA2314
5frGCEA11128frGCEA111210frGCEA1324
VIG 7
GCEA213
3frGCEA23147frGCEA111210frGCEA1112
VIIA m7♭5
GCEA1234
5frGCEA11328frGCEA112311frGCEA2314

scale

Ukulele fretboard diagram

B altered scale — ukulele fretboard diagramInteractive fretboard diagram showing the B altered scale on ukulele with 15 frets. Notes: A, B, C, D, D#, F, G.ABCDD#FGABCFGABCDD#FGCDD#FGABCDD#GABCDD#FGA13579111213

B altered scale — ukulele chords and intervals

Harmonizing the B altered scale produces the most tension-filled chord family in jazz. Every chord contains altered tones that demand resolution, making this the ultimate tool for dominant-function harmony. The chords of B altered are B diminished, C minor, D minor, D# augmented, F major, G major, A diminished. Use these chords over V7alt passages to create maximum pull toward the tonic. The altered chord family is essential for jazz reharmonization, turning simple changes into rich, chromatic voice leading. Commonly used in Jazz, Fusion, Post-Bop, Contemporary. Notable players include John Coltrane, Michael Brecker, Pat Metheny, Chick Corea.

The B altered scale has the following degrees: 1 ♭2 ♯2 3 ♯4 ♭6 ♭7.

Intervals: H-W-H-W-W-W-W.

Diatonic chords: B diminished, C minor, D minor, D# augmented, F major, G major, A diminished.

DegreesChord
IB diminished
iiC minor
iiiD minor
IVD# augmented
VF major
viG major
vii°A diminished

Degree-by-Degree Analysis

The I chord (B diminished) is the tonic — the gravitational center of the key. The ii chord (C minor) is the minor subdominant, commonly used to approach the V chord. The iii chord (D minor) functions as a substitute for the I or vi. The IV chord (D# augmented) is the subdominant — it adds motion and moderate tension. The V chord (F major) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (G major) is the relative minor — it brings emotional color and depth. The vii° chord (A diminished) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the B altered scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the B altered scale on ukulele.

altered is the 7th mode of the Melodic Minor scale (Super Locrian). View B Melodic minor scale

Related Scales

How to Use This Scale

Use over 7alt, 7#9, 7b9, 7#5, 7b5 chords. The definitive scale for altered dominant chords that resolve to minor. Play C Altered over C7alt resolving to Fm.

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