A todi raga chords

All ukulele chords for the A todi raga scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.
Display
FingerNoteDegree
Fretboard
ScaleArpeggio

A todi raga scale diatonic chords

IA minor
GCEA2
GCEA232frGCEA13423frGCEA3241
IIB♭ sus4
GCEA3411
3frGCEA12345frGCEA41225frGCEA3124
IIIC aug
GCEA14
GCEA13423frGCEA42314frGCEA2114
IVF unknown
D♯ - F - A
VE unknown
E - G♯ - B♭
VIF major
GCEA21
GCEA2135frGCEA11148frGCEA3211
VIIA♭ sus2
GCEA1341
3frGCEA11246frGCEA34118frGCEA1233

A todi raga scale seventh chords

IA mmaj7
GCEA1
GCEA13425frGCEA14138frGCEA2214
IIB♭ unknown
B♭ - D♯ - F - A
IIIC unknown
C - E - G♯ - B♭
IVF 7
GCEA2314
5frGCEA11128frGCEA121110frGCEA1324
VE unknown
E - G♯ - B♭ - D♯
VIF maj7
GCEA2413
5frGCEA11137frGCEA43218frGCEA2311
VIIE♭ unknown
G♯ - B♭ - D♯ - F

scale

Ukulele fretboard diagram

A todi raga scale — ukulele fretboard diagramInteractive fretboard diagram showing the A todi raga scale on ukulele with 15 frets. Notes: A, A#, C, D#, E, F, G#.AA#CD#EFG#AA#CEFG#AA#CD#EFCD#EFG#AA#CD#G#AA#CD#EFG#AA#13579111213

A todi raga scale — ukulele chords and intervals

The harmonized A todi raga scale generates a meditative chord family associated with morning contemplation in Indian classical music. The chords from A todi raga are A minor, Bb suspended fourth, C augmented, F unknown, E unknown, F major, G# suspended second. The chord movements create a reflective, philosophical atmosphere. Use these harmonies for scoring scenes of introspection, dawn, and spiritual awakening. Commonly used in Indian Classical, World, Meditation, Film Scores. Notable players include Ravi Shankar, Nikhil Banerjee.

The A todi raga scale has the following degrees: 1 ♭2 ♭3 ♯4 5 ♭6 7.

Intervals: H-W-3H-H-H-3H-H.

Diatonic chords: A minor, Bb suspended fourth, C augmented, F unknown, E unknown, F major, G# suspended second.

DegreesChord
IA minor
iiBb suspended fourth
iiiC augmented
IVF unknown
VE unknown
viF major
vii°G# suspended second

Degree-by-Degree Analysis

The I chord (A minor) is the tonic — the gravitational center of the key. The ii chord (Bb suspended fourth) is the minor subdominant, commonly used to approach the V chord. The iii chord (C augmented) functions as a substitute for the I or vi. The IV chord (F unknown) is the subdominant — it adds motion and moderate tension. The V chord (E unknown) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (F major) is the relative minor — it brings emotional color and depth. The vii° chord (G# suspended second) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the A todi raga scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the A todi raga scale on ukulele.

Related Scales

How to Use This Scale

Traditionally used over a drone (tanpura). In Western harmony, try over sustained root notes or minimal chord changes.

Explore A todi raga Further