A# phrygian dominant chords

All ukulele chords for the A# phrygian dominant scale

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Harmony
Originalii–V–ISec. Dom.
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A♯ phrygian dominant scale diatonic chords

IB♭ major
GCEA3211
3frGCEA12435frGCEA312110frGCEA1114
IIB major
GCEA3211
4frGCEA12436frGCEA312111frGCEA1114
IIID dim
4frGCEA4213
7frGCEA12438frGCEA314111frGCEA2431
IVE♭ minor
GCEA3421
3frGCEA13336frGCEA31116frGCEA3114
VF dim
2frGCEA2431
7frGCEA421310frGCEA124311frGCEA3141
VIF♯ aug
GCEA3221
2frGCEA21143frGCEA13426frGCEA2114
VIIA♭ minor
GCEA1342
GCEA32413frGCEA21346frGCEA3421

A♯ phrygian dominant scale seventh chords

IB♭ 7
GCEA1211
3frGCEA13246frGCEA231410frGCEA1112
IIB maj7
GCEA4321
GCEA23114frGCEA12347frGCEA2413
IIID dim7
GCEA1324
4frGCEA13247frGCEA132410frGCEA1324
IVE♭ mmaj7
2frGCEA2214
5frGCEA42216frGCEA21118frGCEA1342
VF m7♭5
GCEA1312
4frGCEA12137frGCEA231410frGCEA1234
VIF♯ major seventh flat sixth
F♯ - A♯ - D - F
VIIA♭ m7
GCEA1322
4frGCEA13247frGCEA221311frGCEA1111

scale

Ukulele fretboard diagram

A# phrygian dominant scale — ukulele fretboard diagramInteractive fretboard diagram showing the A# phrygian dominant scale on ukulele with 15 frets. Notes: A#, B, D, D#, F, F#, G#.A#BDD#FF#G#A#BFF#G#A#BDD#FF#DD#FF#G#A#BDD#G#A#BDD#FF#G#A#13579111213

A# phrygian dominant scale — ukulele chords and intervals

The harmonized A# phrygian dominant scale generates the definitive chord family of Flamenco, Klezmer, and Middle Eastern music, combining a major tonic with the dark bII chord. The chords from A# phrygian dominant are A# major, B major, D diminished, D# minor, F diminished, F# augmented, G# minor. The I-bII oscillation is the most iconic progression in Spanish music. The chord family includes both major and minor colors, allowing for passionate, dramatic songwriting that shifts between light and shadow. Commonly used in Flamenco, Metal, Middle Eastern, Klezmer, Film Scores. Notable players include Marty Friedman, Paco de Lucia, Ritchie Blackmore, Al Di Meola.

The A# phrygian dominant scale has the following degrees: 1 ♭2 3 4 5 ♭6 ♭7.

Intervals: H-3H-H-W-H-W-W.

Diatonic chords: A# major, B major, D diminished, D# minor, F diminished, F# augmented, G# minor.

DegreesChord
IA# major
iiB major
iiiD diminished
IVD# minor
VF diminished
viF# augmented
vii°G# minor

Degree-by-Degree Analysis

The I chord (A# major) is the tonic — the gravitational center of the key. The ii chord (B major) is the minor subdominant, commonly used to approach the V chord. The iii chord (D diminished) functions as a substitute for the I or vi. The IV chord (D# minor) is the subdominant — it adds motion and moderate tension. The V chord (F diminished) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (F# augmented) is the relative minor — it brings emotional color and depth. The vii° chord (G# minor) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the A# phrygian dominant scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the A# phrygian dominant scale on ukulele.

phrygian dominant is the 5th mode of the Harmonic Minor scale. View A# Harmonic minor scale

Related Scales

How to Use This Scale

Use over dominant chords in flamenco/metal contexts, especially V7 in harmonic minor. The go-to for 'Spanish' or 'Arabic' sounding lines.

Explore A# phrygian dominant Further