A# mixolydian b6 chords

All ukulele chords for the A# mixolydian b6 scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

A♯ mixolydian b6 scale diatonic chords

IB♭ major
GCEA1132
3frGCEA12435frGCEA113210frGCEA1114
IIC dim
2frGCEA4213
5frGCEA12436frGCEA11349frGCEA2431
IIID dim
4frGCEA4213
7frGCEA12438frGCEA113411frGCEA2431
IVE♭ minor
GCEA3421
3frGCEA33316frGCEA11136frGCEA1134
VF minor
GCEA124
3frGCEA34215frGCEA12348frGCEA1113
VIF♯ aug
GCEA2231
2frGCEA11243frGCEA13426frGCEA1124
VIIA♭ major
GCEA1243
3frGCEA11323frGCEA31248frGCEA1114

A♯ mixolydian b6 scale seventh chords

IB♭ 7
GCEA1112
3frGCEA13246frGCEA231410frGCEA1112
IIC m7♭5
GCEA2314
5frGCEA12348frGCEA113211frGCEA1123
IIID m7♭5
GCEA1123
4frGCEA23147frGCEA123410frGCEA1132
IVE♭ mmaj7
2frGCEA2214
5frGCEA22416frGCEA11128frGCEA1342
VF m7
GCEA1324
4frGCEA22138frGCEA111110frGCEA2213
VIF♯ major seventh flat sixth
F♯ - A♯ - D - F
VIIA♭ 7
GCEA1324
4frGCEA23148frGCEA111211frGCEA1112

scale

Ukulele fretboard diagram

A# mixolydian b6 scale — ukulele fretboard diagramInteractive fretboard diagram showing the A# mixolydian b6 scale on ukulele with 15 frets. Notes: A#, C, D, D#, F, F#, G#.A#CDD#FF#G#A#CFF#G#A#CDD#FF#CDD#FF#G#A#CDD#G#A#CDD#FF#G#A#13579111213

A# mixolydian b6 scale — ukulele chords and intervals

Harmonizing the A# mixolydian b6 scale generates a melancholic dominant chord family that bridges major and minor worlds. The chords of A# mixolydian b6 are A# major, C diminished, D diminished, D# minor, F minor, F# augmented, G# major. The dominant tonic chord paired with a minor iv creates emotional transitions between bright and dark sections. This chord family is the harmonic engine behind many film score moments of bittersweet revelation. Commonly used in Jazz, Film Scores, Classical, Melodic Metal. Notable players include Hans Zimmer, Ennio Morricone.

The A# mixolydian b6 scale has the following degrees: 1 2 3 4 5 ♭6 ♭7.

Intervals: W-W-H-W-H-W-W.

Diatonic chords: A# major, C diminished, D diminished, D# minor, F minor, F# augmented, G# major.

DegreesChord
IA# major
iiC diminished
iiiD diminished
IVD# minor
VF minor
viF# augmented
vii°G# major

Degree-by-Degree Analysis

The I chord (A# major) is the tonic — the gravitational center of the key. The ii chord (C diminished) is the minor subdominant, commonly used to approach the V chord. The iii chord (D diminished) functions as a substitute for the I or vi. The IV chord (D# minor) is the subdominant — it adds motion and moderate tension. The V chord (F minor) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (F# augmented) is the relative minor — it brings emotional color and depth. The vii° chord (G# major) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the A# mixolydian b6 scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the A# mixolydian b6 scale on ukulele.

mixolydian b6 is the 5th mode of the Melodic Minor scale (Hindu scale). View A# Melodic minor scale

Related Scales

How to Use This Scale

Use over dominant 7th chords that resolve to minor (V7 → im). The scale that bridges major happiness and minor sadness.

Explore A# mixolydian b6 Further