A# lydian chords

All ukulele chords for the A# lydian scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

A♯ lydian scale diatonic chords

IB♭ major
GCEA1132
3frGCEA12435frGCEA113210frGCEA1114
IIC major
GCEA3
GCEA1123frGCEA11325frGCEA1243
IIID minor
GCEA231
2frGCEA12345frGCEA11135frGCEA1134
IVE dim
GCEA2431
6frGCEA42139frGCEA124310frGCEA1134
VF major
GCEA21
GCEA2135frGCEA11148frGCEA1132
VIG minor
GCEA231
GCEA32412frGCEA21345frGCEA3421
VIIA minor
GCEA2
GCEA232frGCEA13423frGCEA3241

A♯ lydian scale seventh chords

IB♭ maj7
GCEA321
GCEA11233frGCEA12346frGCEA2413
IIC 7
GCEA1
GCEA11125frGCEA13248frGCEA2314
IIID m7
GCEA2213
5frGCEA11117frGCEA221310frGCEA1324
IVE m7♭5
GCEA21
3frGCEA11236frGCEA23149frGCEA1234
VF maj7
GCEA2413
5frGCEA11137frGCEA43218frGCEA1123
VIG m7
GCEA112
3frGCEA13246frGCEA221310frGCEA1111
VIIA m7
GCEA
GCEA22135frGCEA13248frGCEA2213

scale

Ukulele fretboard diagram

A# lydian scale — ukulele fretboard diagramInteractive fretboard diagram showing the A# lydian scale on ukulele with 15 frets. Notes: A, A#, C, D, E, F, G.AA#CDEFGAA#CEFGAA#CDEFGCDEFGAA#CDGAA#CDEFGAA#13579111213

A# lydian scale — ukulele chords and intervals

Harmonizing the A# lydian scale produces a luminous chord family where the II major chord replaces the typical ii minor. This bright alteration gives Lydian harmony its characteristic floating, unresolved quality. The diatonic chords of A# lydian are A#Maj7, C7, Dm7, Em7b5, FMaj7, Gm7, Am7. The I-II progression is the hallmark Lydian vamp, creating a sense of wonder without traditional tension. Film composers favor Lydian harmony for scenes of awe and discovery. The #iv diminished chord adds a touch of instability that keeps the brightness from becoming static. Commonly used in Film Scores, Progressive Rock, Fusion, Ambient, Dream Pop. Notable players include Joe Satriani, Steve Vai, John Williams, Hans Zimmer.

The A# lydian scale has the following degrees: 1 2 3 ♯4 5 6 7.

Intervals: W-W-W-H-W-W-H.

Diatonic chords: A#Maj7, C7, Dm7, Em7b5, FMaj7, Gm7, Am7.

DegreesChord
IA#Maj7
iiC7
iiiDm7
IVEm7b5
VFMaj7
viGm7
vii°Am7

Degree-by-Degree Analysis

The I chord (A#Maj7) is the tonic — the gravitational center of the key. The ii chord (C7) is the minor subdominant, commonly used to approach the V chord. The iii chord (Dm7) functions as a substitute for the I or vi. The IV chord (Em7b5) is the subdominant — it adds motion and moderate tension. The V chord (FMaj7) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (Gm7) is the relative minor — it brings emotional color and depth. The vii° chord (Am7) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the A# lydian scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the A# lydian scale on ukulele.

lydian is the 4th mode of the Major scale. View A# Major scale

Related Scales

How to Use This Scale

Use over Maj7#11, Maj9 chords. Ideal for non-resolving major passages. Avoid when the music needs to feel grounded or resolved.

Explore A# lydian Further