A# locrian chords

All ukulele chords for the A# locrian scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

A♯ locrian scale diatonic chords

IB♭ dim
GCEA312
3frGCEA12434frGCEA11347frGCEA2431
IIB major
GCEA1132
4frGCEA12436frGCEA113211frGCEA1114
IIIC♯ minor
GCEA1234
4frGCEA11124frGCEA11346frGCEA1342
IVE♭ minor
GCEA3421
3frGCEA33316frGCEA11136frGCEA1134
VE major
GCEA142
GCEA23414frGCEA11147frGCEA1143
VIF♯ major
GCEA1132
GCEA31246frGCEA11149frGCEA1132
VIIA♭ minor
GCEA1342
GCEA32413frGCEA21346frGCEA3421

A♯ locrian scale seventh chords

IB♭ m7♭5
GCEA123
GCEA12346frGCEA11329frGCEA1123
IIB maj7
GCEA4321
GCEA11234frGCEA12347frGCEA2413
IIIC♯ m7
GCEA123
GCEA11116frGCEA22139frGCEA1324
IVE♭ m7
GCEA2213
6frGCEA11118frGCEA221311frGCEA1324
VE maj7
GCEA132
4frGCEA11136frGCEA43217frGCEA1123
VIF♯ 7
GCEA2314
6frGCEA11129frGCEA111211frGCEA1324
VIIA♭ m7
GCEA2213
4frGCEA13247frGCEA221311frGCEA1111

scale

Ukulele fretboard diagram

A# locrian scale — ukulele fretboard diagramInteractive fretboard diagram showing the A# locrian scale on ukulele with 15 frets. Notes: A#, B, C#, D#, E, F#, G#.A#BC#D#EF#G#A#BEF#G#A#BC#D#EF#C#D#EF#G#A#BC#D#G#A#BC#D#EF#G#A#13579111213

A# locrian scale — ukulele chords and intervals

The harmonized A# locrian scale generates the most unstable chord family of all the modes, with a diminished tonic chord that provides no sense of rest. This makes Locrian harmony a specialized tool for creating extreme tension. The chords of A# locrian are A#m7b5, BMaj7, C#m7, D#m7, EMaj7, F#7, G#m7. In practice, Locrian chords are used over half-diminished passages in jazz rather than as a standalone key. The i°-bII movement creates a restless, searching quality useful for transitional sections and building suspense. Commonly used in Jazz, Metal, Experimental, Avant-Garde. Notable players include John Coltrane, Meshuggah, Dream Theater.

The A# locrian scale has the following degrees: 1 ♭2 ♭3 4 ♭5 ♭6 ♭7.

Intervals: H-W-W-H-W-W-W.

Diatonic chords: A#m7b5, BMaj7, C#m7, D#m7, EMaj7, F#7, G#m7.

DegreesChord
IA#m7b5
iiBMaj7
iiiC#m7
IVD#m7
VEMaj7
viF#7
vii°G#m7

Degree-by-Degree Analysis

The I chord (A#m7b5) is the tonic — the gravitational center of the key. The ii chord (BMaj7) is the minor subdominant, commonly used to approach the V chord. The iii chord (C#m7) functions as a substitute for the I or vi. The IV chord (D#m7) is the subdominant — it adds motion and moderate tension. The V chord (EMaj7) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (F#7) is the relative minor — it brings emotional color and depth. The vii° chord (G#m7) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the A# locrian scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the A# locrian scale on ukulele.

locrian is the 7th mode of the Major scale. View A# Major scale

Related Scales

How to Use This Scale

Use over m7b5 (half-diminished) chords. Essential for jazz ii-V-i in minor keys where the ii chord is half-diminished.

Explore A# locrian Further