A# leading whole tone chords

All ukulele chords for the A# leading whole tone scale

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Harmony
Originalii–V–ISec. Dom.

A♯ leading whole tone scale diatonic chords

IB♭ aug
GCEA2231
2frGCEA11243frGCEA13426frGCEA1124
IIC aug
GCEA14
GCEA13423frGCEA42314frGCEA1124
IIID major
GCEA123
2frGCEA11145frGCEA11327frGCEA1243
IVE unknown
E - G♯ - A♯
VE♯# dim
E♯# - A - C
VIB♭ unknown
G♯ - A♯ - D
VIIA minor
GCEA2
GCEA232frGCEA13423frGCEA3241

A♯ leading whole tone scale seventh chords

IB♭ major seventh flat sixth
A♯ - D - E♯# - A
IIC unknown
C - E - G♯ - A♯
IIID 7
GCEA1112
5frGCEA11127frGCEA132410frGCEA2314
IVE unknown
E - G♯ - A♯ - D
VE♯# m7♭5
E♯# - A - C - E
VIE♯# unknown
G♯ - A♯ - D - E♯#
VIIA mmaj7
GCEA1
GCEA13425frGCEA11438frGCEA2214

scale

Ukulele fretboard diagram

A# leading whole tone scale — ukulele fretboard diagramInteractive fretboard diagram showing the A# leading whole tone scale on ukulele with 15 frets. Notes: A, A#, C, D, E, F#, G#.AA#CDEF#G#AA#CEF#G#AA#CDEF#CDEF#G#AA#CDG#AA#CDEF#G#AA#13579111213

A# leading whole tone scale — ukulele chords and intervals

The harmonized A# leading whole tone scale generates a chord set that floats through whole-tone ambiguity before arriving at a point of resolution. The chords from A# leading whole tone are A# augmented, C augmented, D major, E unknown, E## diminished, A# unknown, A minor. The final degree provides the leading-tone tension that whole-tone harmony alone cannot achieve. Use these chords to create passages that drift weightlessly before landing on a satisfying cadence. Commonly used in Impressionist, Film Scores, Jazz. Notable players include Claude Debussy, Maurice Ravel.

The A# leading whole tone scale has the following degrees: 1 2 3 ♯4 ♯5 ♭7 7.

Intervals: W-W-W-W-W-H-H.

Diatonic chords: A# augmented, C augmented, D major, E unknown, E## diminished, A# unknown, A minor.

DegreesChord
IA# augmented
iiC augmented
iiiD major
IVE unknown
VE## diminished
viA# unknown
vii°A minor

Degree-by-Degree Analysis

The I chord (A# augmented) is the tonic — the gravitational center of the key. The ii chord (C augmented) is the minor subdominant, commonly used to approach the V chord. The iii chord (D major) functions as a substitute for the I or vi. The IV chord (E unknown) is the subdominant — it adds motion and moderate tension. The V chord (E## diminished) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (A# unknown) is the relative minor — it brings emotional color and depth. The vii° chord (A minor) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the A# leading whole tone scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the A# leading whole tone scale on ukulele.

Related Scales

How to Use This Scale

Use as a transition device or over augmented chords that need to resolve. The leading tone provides a gentle gravitational pull absent in pure whole tone.

Explore A# leading whole tone Further