A# balinese chords

All ukulele chords for the A# balinese scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

A♯ balinese scale diatonic chords

IB♭ minor
GCEA1113
GCEA11343frGCEA13424frGCEA3241
IIB major
GCEA1132
4frGCEA12436frGCEA113211frGCEA1114
IIIC♯ aug
GCEA312
GCEA11242frGCEA13424frGCEA4231
IVE♭ minor
GCEA3421
3frGCEA33316frGCEA11136frGCEA1134
VF unknown
F - A - B
VIF♯ major
GCEA1132
GCEA31246frGCEA11149frGCEA1132
VIIB unknown
A - B - D♯

A♯ balinese scale seventh chords

IB♭ mmaj7
GCEA312
GCEA11123frGCEA13426frGCEA1143
IIB maj7
GCEA4321
GCEA11234frGCEA12347frGCEA2413
IIIC♯ unknown
C♯ - F - A - B
IVE♭ m7
GCEA2213
6frGCEA11118frGCEA221311frGCEA1324
VF unknown
F - A - B - D♯
VIF♯ maj7
2frGCEA2413
6frGCEA11138frGCEA43219frGCEA1123
VIIB 7
GCEA1112
4frGCEA13247frGCEA231411frGCEA1112

scale

Ukulele fretboard diagram

A# balinese scale — ukulele fretboard diagramInteractive fretboard diagram showing the A# balinese scale on ukulele with 15 frets. Notes: A, A#, B, C#, D#, F, F#.AA#BC#D#FF#AA#BFF#AA#BC#D#FF#C#D#FF#AA#BC#D#AA#BC#D#FF#AA#13579111213

A# balinese scale — ukulele chords and intervals

Harmonizing the A# balinese scale yields a dark, meditative chord set from the Gamelan tradition. The chords of A# balinese are A# minor, B major, C# augmented, D# minor, F unknown, F# major, B unknown. These chords create a shimmering, Southeast Asian harmonic world that feels ancient and spiritual. Use them for cultural scoring or to add a haunting, non-Western harmonic flavor to contemporary music. Commonly used in Gamelan, World, Ambient, Film Scores. Notable players include Colin McPhee, Steve Reich.

The A# balinese scale has the following degrees: 1 ♭2 ♭3 4 5 ♭6 7.

Intervals: H-W-W-W-H-3H-H.

Diatonic chords: A# minor, B major, C# augmented, D# minor, F unknown, F# major, B unknown.

DegreesChord
IA# minor
iiB major
iiiC# augmented
IVD# minor
VF unknown
viF# major
vii°B unknown

Degree-by-Degree Analysis

The I chord (A# minor) is the tonic — the gravitational center of the key. The ii chord (B major) is the minor subdominant, commonly used to approach the V chord. The iii chord (C# augmented) functions as a substitute for the I or vi. The IV chord (D# minor) is the subdominant — it adds motion and moderate tension. The V chord (F unknown) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (F# major) is the relative minor — it brings emotional color and depth. The vii° chord (B unknown) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the A# balinese scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the A# balinese scale on ukulele.

Related Scales

How to Use This Scale

Use over drones and sustained bass notes. Traditional Gamelan music doesn't use chords — the scale is inherently melodic and interlocking.

Explore A# balinese Further