A# altered chords

All ukulele chords for the A# altered scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

A♯ altered scale diatonic chords

IB♭ dim
GCEA312
3frGCEA12434frGCEA11347frGCEA2431
IIB minor
GCEA1113
2frGCEA11344frGCEA13425frGCEA3241
IIIB♯# minor
B♯# - E - G♯
IVD aug
GCEA2231
2frGCEA11243frGCEA13426frGCEA1124
VE major
GCEA142
GCEA23414frGCEA11147frGCEA1143
VIF♯ major
GCEA1132
GCEA31246frGCEA11149frGCEA1132
VIIA♭ dim
GCEA1243
GCEA11345frGCEA243110frGCEA4213

A♯ altered scale seventh chords

IB♭ m7♭5
GCEA123
GCEA12346frGCEA11329frGCEA1123
IIB mmaj7
GCEA2241
GCEA11124frGCEA13427frGCEA1143
IIIB♯# m7
B♯# - E - G♯ - B
IVD major seventh flat sixth
D - F♯ - A♯ - B♯#
VE 7
GCEA123
4frGCEA11127frGCEA11129frGCEA1324
VIF♯ 7
GCEA2314
6frGCEA11129frGCEA111211frGCEA1324
VIIA♭ m7♭5
GCEA1234
4frGCEA11327frGCEA112310frGCEA2314

scale

Ukulele fretboard diagram

A# altered scale — ukulele fretboard diagramInteractive fretboard diagram showing the A# altered scale on ukulele with 15 frets. Notes: A#, B, C#, D, E, F#, G#.A#BC#DEF#G#A#BEF#G#A#BC#DEF#C#DEF#G#A#BC#DG#A#BC#DEF#G#A#13579111213

A# altered scale — ukulele chords and intervals

Harmonizing the A# altered scale produces the most tension-filled chord family in jazz. Every chord contains altered tones that demand resolution, making this the ultimate tool for dominant-function harmony. The chords of A# altered are A# diminished, B minor, B## minor, D augmented, E major, F# major, G# diminished. Use these chords over V7alt passages to create maximum pull toward the tonic. The altered chord family is essential for jazz reharmonization, turning simple changes into rich, chromatic voice leading. Commonly used in Jazz, Fusion, Post-Bop, Contemporary. Notable players include John Coltrane, Michael Brecker, Pat Metheny, Chick Corea.

The A# altered scale has the following degrees: 1 ♭2 ♯2 3 ♯4 ♭6 ♭7.

Intervals: H-W-H-W-W-W-W.

Diatonic chords: A# diminished, B minor, B## minor, D augmented, E major, F# major, G# diminished.

DegreesChord
IA# diminished
iiB minor
iiiB## minor
IVD augmented
VE major
viF# major
vii°G# diminished

Degree-by-Degree Analysis

The I chord (A# diminished) is the tonic — the gravitational center of the key. The ii chord (B minor) is the minor subdominant, commonly used to approach the V chord. The iii chord (B## minor) functions as a substitute for the I or vi. The IV chord (D augmented) is the subdominant — it adds motion and moderate tension. The V chord (E major) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (F# major) is the relative minor — it brings emotional color and depth. The vii° chord (G# diminished) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the A# altered scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the A# altered scale on ukulele.

altered is the 7th mode of the Melodic Minor scale (Super Locrian). View A# Melodic minor scale

Related Scales

How to Use This Scale

Use over 7alt, 7#9, 7b9, 7#5, 7b5 chords. The definitive scale for altered dominant chords that resolve to minor. Play C Altered over C7alt resolving to Fm.

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