A phrygian dominant chords

All ukulele chords for the A phrygian dominant scale

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Harmony
Originalii–V–ISec. Dom.
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A phrygian dominant scale diatonic chords

IA major
GCEA21
2frGCEA12434frGCEA41219frGCEA1114
IIB♭ major
GCEA3211
3frGCEA12435frGCEA312110frGCEA1114
IIIC♯ dim
3frGCEA4213
6frGCEA12437frGCEA314110frGCEA2431
IVD minor
GCEA231
2frGCEA12345frGCEA31115frGCEA3114
VE dim
GCEA2431
6frGCEA42139frGCEA124310frGCEA3141
VIF aug
GCEA312
GCEA21142frGCEA13425frGCEA2114
VIIG minor
GCEA231
GCEA32412frGCEA21345frGCEA3421

A phrygian dominant scale seventh chords

IA 7
GCEA1
GCEA13245frGCEA23149frGCEA1112
IIB♭ maj7
GCEA321
GCEA23113frGCEA12346frGCEA2413
IIIC♯ dim7
GCEA12
GCEA13246frGCEA13249frGCEA1324
IVD mmaj7
GCEA2214
4frGCEA42215frGCEA21117frGCEA1342
VE m7♭5
GCEA21
3frGCEA12136frGCEA23149frGCEA1234
VIF major seventh flat sixth
F - A - C♯ - E
VIIG m7
GCEA211
3frGCEA13246frGCEA221310frGCEA1111

scale

Ukulele fretboard diagram

A phrygian dominant scale — ukulele fretboard diagramInteractive fretboard diagram showing the A phrygian dominant scale on ukulele with 15 frets. Notes: A, A#, C#, D, E, F, G.AA#C#DEFGAA#EFGAA#C#DEFGC#DEFGAA#C#DGAA#C#DEFGAA#13579111213

A phrygian dominant scale — ukulele chords and intervals

The harmonized A phrygian dominant scale generates the definitive chord family of Flamenco, Klezmer, and Middle Eastern music, combining a major tonic with the dark bII chord. The chords from A phrygian dominant are A major, Bb major, C# diminished, D minor, E diminished, F augmented, G minor. The I-bII oscillation is the most iconic progression in Spanish music. The chord family includes both major and minor colors, allowing for passionate, dramatic songwriting that shifts between light and shadow. Commonly used in Flamenco, Metal, Middle Eastern, Klezmer, Film Scores. Notable players include Marty Friedman, Paco de Lucia, Ritchie Blackmore, Al Di Meola.

The A phrygian dominant scale has the following degrees: 1 ♭2 3 4 5 ♭6 ♭7.

Intervals: H-3H-H-W-H-W-W.

Diatonic chords: A major, Bb major, C# diminished, D minor, E diminished, F augmented, G minor.

DegreesChord
IA major
iiBb major
iiiC# diminished
IVD minor
VE diminished
viF augmented
vii°G minor

Degree-by-Degree Analysis

The I chord (A major) is the tonic — the gravitational center of the key. The ii chord (Bb major) is the minor subdominant, commonly used to approach the V chord. The iii chord (C# diminished) functions as a substitute for the I or vi. The IV chord (D minor) is the subdominant — it adds motion and moderate tension. The V chord (E diminished) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (F augmented) is the relative minor — it brings emotional color and depth. The vii° chord (G minor) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the A phrygian dominant scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the A phrygian dominant scale on ukulele.

phrygian dominant is the 5th mode of the Harmonic Minor scale. View A Harmonic minor scale

Related Scales

How to Use This Scale

Use over dominant chords in flamenco/metal contexts, especially V7 in harmonic minor. The go-to for 'Spanish' or 'Arabic' sounding lines.

Explore A phrygian dominant Further