A neapolitan major chords

All ukulele chords for the A neapolitan major scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

A neapolitan major scale diatonic chords

IA minor
GCEA2
GCEA232frGCEA13423frGCEA3241
IIB♭ aug
GCEA2231
2frGCEA11243frGCEA13426frGCEA1124
IIIC aug
GCEA14
GCEA13423frGCEA42314frGCEA1124
IVD major
GCEA123
2frGCEA11145frGCEA11327frGCEA1243
VE unknown
E - G♯ - B♭
VIF♯ dim
GCEA23
3frGCEA24318frGCEA421311frGCEA1243
VIIB♭ unknown
G♯ - B♭ - D

A neapolitan major scale seventh chords

IA mmaj7
GCEA1
GCEA13425frGCEA11438frGCEA2214
IIB♭ major seventh flat sixth
B♭ - D - F♯ - A
IIIC unknown
C - E - G♯ - B♭
IVD 7
GCEA1112
5frGCEA11127frGCEA132410frGCEA2314
VE unknown
E - G♯ - B♭ - D
VIF♯ m7♭5
GCEA1132
5frGCEA11238frGCEA231411frGCEA1234
VIIF♯ unknown
G♯ - B♭ - D - F♯

scale

Ukulele fretboard diagram

A neapolitan major scale — ukulele fretboard diagramInteractive fretboard diagram showing the A neapolitan major scale on ukulele with 15 frets. Notes: A, A#, C, D, E, F#, G#.AA#CDEF#G#AA#CEF#G#AA#CDEF#CDEF#G#AA#CDG#AA#CDEF#G#AA#13579111213

A neapolitan major scale — ukulele chords and intervals

The harmonized A neapolitan major scale produces a sophisticated chord family where the flat second degree creates elegant chromatic approaches to the tonic. The chords from A neapolitan major are A minor, Bb augmented, C augmented, D major, E unknown, F# diminished, Bb unknown. The Neapolitan chord (bII) is one of the most beautiful pre-dominant chords in classical music. It adds a Spanish chromatic flavor that elevates cadences from functional to sublime. Commonly used in Classical, Opera, Film Scores. Notable players include Chopin, Verdi, Puccini.

The A neapolitan major scale has the following degrees: 1 ♭2 ♭3 4 5 6 7.

Intervals: H-W-W-W-W-W-H.

Diatonic chords: A minor, Bb augmented, C augmented, D major, E unknown, F# diminished, Bb unknown.

DegreesChord
IA minor
iiBb augmented
iiiC augmented
IVD major
VE unknown
viF# diminished
vii°Bb unknown

Degree-by-Degree Analysis

The I chord (A minor) is the tonic — the gravitational center of the key. The ii chord (Bb augmented) is the minor subdominant, commonly used to approach the V chord. The iii chord (C augmented) functions as a substitute for the I or vi. The IV chord (D major) is the subdominant — it adds motion and moderate tension. The V chord (E unknown) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (F# diminished) is the relative minor — it brings emotional color and depth. The vii° chord (Bb unknown) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the A neapolitan major scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the A neapolitan major scale on ukulele.

Related Scales

How to Use This Scale

Use over bII-V-I cadences. The source of the Neapolitan sixth chord, one of classical music's most elegant chromatic devices.

Explore A neapolitan major Further