A lydian chords

All ukulele chords for the A lydian scale

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Harmony
Originalii–V–ISec. Dom.

A lydian scale diatonic chords

IA major
GCEA21
2frGCEA12434frGCEA11429frGCEA1114
IIB major
GCEA1132
4frGCEA12436frGCEA113211frGCEA1114
IIIC♯ minor
GCEA1234
4frGCEA11124frGCEA11346frGCEA1342
IVE♭ dim
GCEA132
5frGCEA42138frGCEA12439frGCEA1134
VE major
GCEA142
GCEA23414frGCEA11147frGCEA1143
VIF♯ minor
GCEA213
GCEA21344frGCEA34219frGCEA1113
VIIA♭ minor
GCEA1342
GCEA32413frGCEA21346frGCEA3421

A lydian scale seventh chords

IA maj7
GCEA12
GCEA12345frGCEA24139frGCEA1113
IIB 7
GCEA1112
4frGCEA13247frGCEA231411frGCEA1112
IIIC♯ m7
GCEA123
GCEA11116frGCEA22139frGCEA1324
IVE♭ m7♭5
GCEA1123
5frGCEA23148frGCEA123411frGCEA1132
VE maj7
GCEA132
4frGCEA11136frGCEA43217frGCEA1123
VIF♯ m7
GCEA1324
5frGCEA22139frGCEA111111frGCEA2213
VIIA♭ m7
GCEA2213
4frGCEA13247frGCEA221311frGCEA1111

scale

Ukulele fretboard diagram

A lydian scale — ukulele fretboard diagramInteractive fretboard diagram showing the A lydian scale on ukulele with 15 frets. Notes: A, B, C#, D#, E, F#, G#.ABC#D#EF#G#ABEF#G#ABC#D#EF#C#D#EF#G#ABC#D#G#ABC#D#EF#G#A13579111213

A lydian scale — ukulele chords and intervals

Harmonizing the A lydian scale produces a luminous chord family where the II major chord replaces the typical ii minor. This bright alteration gives Lydian harmony its characteristic floating, unresolved quality. The diatonic chords of A lydian are AMaj7, B7, C#m7, D#m7b5, EMaj7, F#m7, G#m7. The I-II progression is the hallmark Lydian vamp, creating a sense of wonder without traditional tension. Film composers favor Lydian harmony for scenes of awe and discovery. The #iv diminished chord adds a touch of instability that keeps the brightness from becoming static. Commonly used in Film Scores, Progressive Rock, Fusion, Ambient, Dream Pop. Notable players include Joe Satriani, Steve Vai, John Williams, Hans Zimmer.

The A lydian scale has the following degrees: 1 2 3 ♯4 5 6 7.

Intervals: W-W-W-H-W-W-H.

Diatonic chords: AMaj7, B7, C#m7, D#m7b5, EMaj7, F#m7, G#m7.

DegreesChord
IAMaj7
iiB7
iiiC#m7
IVD#m7b5
VEMaj7
viF#m7
vii°G#m7

Degree-by-Degree Analysis

The I chord (AMaj7) is the tonic — the gravitational center of the key. The ii chord (B7) is the minor subdominant, commonly used to approach the V chord. The iii chord (C#m7) functions as a substitute for the I or vi. The IV chord (D#m7b5) is the subdominant — it adds motion and moderate tension. The V chord (EMaj7) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (F#m7) is the relative minor — it brings emotional color and depth. The vii° chord (G#m7) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the A lydian scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the A lydian scale on ukulele.

lydian is the 4th mode of the Major scale. View A Major scale

Related Scales

How to Use This Scale

Use over Maj7#11, Maj9 chords. Ideal for non-resolving major passages. Avoid when the music needs to feel grounded or resolved.

Explore A lydian Further