A lydian minor chords

All ukulele chords for the A lydian minor scale

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Harmony
Originalii–V–ISec. Dom.

A lydian minor scale diatonic chords

IA major
GCEA21
2frGCEA12434frGCEA11429frGCEA1114
IIB unknown
B - D♯ - F
IIIC♯ dim
3frGCEA4213
6frGCEA12437frGCEA113410frGCEA2431
IVF unknown
D♯ - F - A
VE minor
GCEA321
GCEA34214frGCEA12347frGCEA1113
VIF aug
GCEA312
GCEA11242frGCEA13425frGCEA1124
VIIG aug
GCEA231
GCEA22313frGCEA11244frGCEA1342

A lydian minor scale seventh chords

IA 7
GCEA1
GCEA13245frGCEA23149frGCEA1112
IIB unknown
B - D♯ - F - A
IIIC♯ m7♭5
GCEA12
GCEA23146frGCEA12349frGCEA1132
IVC♯ unknown
D♯ - F - A - C♯
VE mmaj7
GCEA21
3frGCEA22146frGCEA22417frGCEA1112
VIF major seventh flat sixth
F - A - C♯ - E
VIIG unknown
G - B - D♯ - F

scale

Ukulele fretboard diagram

A lydian minor scale — ukulele fretboard diagramInteractive fretboard diagram showing the A lydian minor scale on ukulele with 15 frets. Notes: A, B, C#, D#, E, F, G.ABC#D#EFGABEFGABC#D#EFGC#D#EFGABC#D#GABC#D#EFGA13579111213

A lydian minor scale — ukulele chords and intervals

Harmonizing the A lydian minor scale produces a bittersweet chord family that layers Lydian brightness over minor-key darkness. The chords of A lydian minor are A major, B unknown, C# diminished, F unknown, E minor, F augmented, G augmented. The #4 in a minor context creates sophisticated, emotional chord colors. These harmonies are perfect for modern film scores and emotive jazz passages where the music needs to feel simultaneously hopeful and sad. Commonly used in Film Scores, Jazz, Progressive. Notable players include Danny Elfman, Brad Mehldau.

The A lydian minor scale has the following degrees: 1 2 3 ♯4 5 ♭6 ♭7.

Intervals: W-W-W-H-H-W-W.

Diatonic chords: A major, B unknown, C# diminished, F unknown, E minor, F augmented, G augmented.

DegreesChord
IA major
iiB unknown
iiiC# diminished
IVF unknown
VE minor
viF augmented
vii°G augmented

Degree-by-Degree Analysis

The I chord (A major) is the tonic — the gravitational center of the key. The ii chord (B unknown) is the minor subdominant, commonly used to approach the V chord. The iii chord (C# diminished) functions as a substitute for the I or vi. The IV chord (F unknown) is the subdominant — it adds motion and moderate tension. The V chord (E minor) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (F augmented) is the relative minor — it brings emotional color and depth. The vii° chord (G augmented) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the A lydian minor scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the A lydian minor scale on ukulele.

Related Scales

How to Use This Scale

Use over m7#11 chords. A specialized color for emotive jazz and cinematic passages that need emotional complexity.

Explore A lydian minor Further