A locrian major chords

All ukulele chords for the A locrian major scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

A locrian major scale diatonic chords

IA unknown
A - C♯ - E♭
IIB dim
GCEA4213
4frGCEA12435frGCEA11348frGCEA2431
IIIE♭ unknown
C♯ - E♭ - G
IVD minor
GCEA231
2frGCEA12345frGCEA11135frGCEA1134
VE♭ aug
GCEA321
GCEA22313frGCEA11244frGCEA1342
VIF aug
GCEA312
GCEA11242frGCEA13425frGCEA1124
VIIG major
GCEA132
GCEA11322frGCEA31247frGCEA1114

A locrian major scale seventh chords

IA unknown
A - C♯ - E♭ - G
IIB m7♭5
GCEA2314
4frGCEA12347frGCEA113210frGCEA1123
IIIE♭ unknown
C♯ - E♭ - G - B
IVD mmaj7
GCEA2214
4frGCEA22415frGCEA11127frGCEA1342
VE♭ major seventh flat sixth
E♭ - G - B - D
VIF unknown
F - A - C♯ - E♭
VIIG 7
GCEA213
3frGCEA23147frGCEA111210frGCEA1112

scale

Ukulele fretboard diagram

A locrian major scale — ukulele fretboard diagramInteractive fretboard diagram showing the A locrian major scale on ukulele with 15 frets. Notes: A, B, C#, D, D#, F, G.ABC#DD#FGABFGABC#DD#FGC#DD#FGABC#DD#GABC#DD#FGA13579111213

A locrian major scale — ukulele chords and intervals

Harmonizing the A locrian major scale yields a paradoxical chord family that sounds simultaneously familiar and alien. The chords of A locrian major are A unknown, B diminished, Eb unknown, D minor, Eb augmented, F augmented, G major. The major third against a Locrian base creates cognitive dissonance in the listener. These chords are used in experimental 20th-century compositions to explore the boundary between tonality and atonality. Commonly used in Experimental, Contemporary Classical, Avant-Garde. Notable players include Bela Bartok, Gyorgy Ligeti.

The A locrian major scale has the following degrees: 1 2 3 4 ♭5 ♭6 ♭7.

Intervals: W-W-H-H-W-W-W.

Diatonic chords: A unknown, B diminished, Eb unknown, D minor, Eb augmented, F augmented, G major.

DegreesChord
IA unknown
iiB diminished
iiiEb unknown
IVD minor
VEb augmented
viF augmented
vii°G major

Degree-by-Degree Analysis

The I chord (A unknown) is the tonic — the gravitational center of the key. The ii chord (B diminished) is the minor subdominant, commonly used to approach the V chord. The iii chord (Eb unknown) functions as a substitute for the I or vi. The IV chord (D minor) is the subdominant — it adds motion and moderate tension. The V chord (Eb augmented) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (F augmented) is the relative minor — it brings emotional color and depth. The vii° chord (G major) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the A locrian major scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the A locrian major scale on ukulele.

Related Scales

How to Use This Scale

Use in experimental composition over polytonal or atonal passages. A tool for creating cognitive dissonance.

Explore A locrian major Further