A locrian #2 chords

All ukulele chords for the A locrian #2 scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

A locrian #2 scale diatonic chords

IA dim
2frGCEA1243
3frGCEA11346frGCEA243111frGCEA4213
IIB dim
GCEA4213
4frGCEA12435frGCEA11348frGCEA2431
IIIC minor
GCEA123
3frGCEA11133frGCEA11345frGCEA1342
IVD minor
GCEA231
2frGCEA12345frGCEA11135frGCEA1134
VE♭ aug
GCEA321
GCEA22313frGCEA11244frGCEA1342
VIF major
GCEA21
GCEA2135frGCEA11148frGCEA1132
VIIG major
GCEA132
GCEA11322frGCEA31247frGCEA1114

A locrian #2 scale seventh chords

IA m7♭5
GCEA1234
5frGCEA11328frGCEA112311frGCEA2314
IIB m7♭5
GCEA2314
4frGCEA12347frGCEA113210frGCEA1123
IIIC mmaj7
2frGCEA2241
GCEA11125frGCEA13428frGCEA1132
IVD m7
GCEA2213
5frGCEA11117frGCEA221310frGCEA1324
VE♭ major seventh flat sixth
E♭ - G - B - D
VIF 7
GCEA2314
5frGCEA11128frGCEA111210frGCEA1324
VIIG 7
GCEA213
3frGCEA23147frGCEA111210frGCEA1112

scale

Ukulele fretboard diagram

A locrian #2 scale — ukulele fretboard diagramInteractive fretboard diagram showing the A locrian #2 scale on ukulele with 15 frets. Notes: A, B, C, D, Eb, F, G.ABCDEbFGABCFGABCDEbFGCDEbFGABCDEbGABCDEbFGA13579111213

A locrian #2 scale — ukulele chords and intervals

The harmonized A locrian #2 scale produces a more melodic half-diminished chord family, with a natural second degree that enables smoother voice leading than standard Locrian. The chords from A locrian #2 are A diminished, B diminished, C minor, D minor, Eb augmented, F major, G major. Jazz musicians prefer these chords for ii-V-i progressions in minor keys. The natural 2 allows for more singable melodic lines over the half-diminished chord, making this the standard choice for minor ii-V resolution. Commonly used in Jazz, Post-Bop, Contemporary. Notable players include John Coltrane, Woody Shaw, Steve Coleman.

The A locrian #2 scale has the following degrees: 1 2 ♭3 4 ♭5 ♭6 ♭7.

Intervals: W-H-W-H-W-W-W.

Diatonic chords: A diminished, B diminished, C minor, D minor, Eb augmented, F major, G major.

DegreesChord
IA diminished
iiB diminished
iiiC minor
IVD minor
VEb augmented
viF major
vii°G major

Degree-by-Degree Analysis

The I chord (A diminished) is the tonic — the gravitational center of the key. The ii chord (B diminished) is the minor subdominant, commonly used to approach the V chord. The iii chord (C minor) functions as a substitute for the I or vi. The IV chord (D minor) is the subdominant — it adds motion and moderate tension. The V chord (Eb augmented) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (F major) is the relative minor — it brings emotional color and depth. The vii° chord (G major) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the A locrian #2 scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the A locrian #2 scale on ukulele.

locrian #2 is the 6th mode of the Melodic Minor scale. View A Melodic minor scale

Related Scales

How to Use This Scale

Use over m7b5 chords. The preferred jazz choice over half-diminished chords (vs standard Locrian which sounds too harsh).

Explore A locrian #2 Further