A leading whole tone chords

All ukulele chords for the A leading whole tone scale

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Harmony
Originalii–V–ISec. Dom.
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A leading whole tone scale diatonic chords

IA aug
GCEA312
GCEA21142frGCEA13425frGCEA2114
IIB aug
GCEA231
GCEA32213frGCEA21144frGCEA1342
IIIC♯ major
GCEA1114
4frGCEA32116frGCEA12438frGCEA3121
IVE♭ unknown
D♯ - G - A
VF dim
2frGCEA2431
7frGCEA421310frGCEA124311frGCEA3141
VIA unknown
G - A - C♯
VIIA♭ minor
GCEA1342
GCEA32413frGCEA21346frGCEA3421

A leading whole tone scale seventh chords

IA major seventh flat sixth
A - C♯ - F - G♯
IIB unknown
B - D♯ - G - A
IIIC♯ 7
GCEA1112
4frGCEA12116frGCEA13249frGCEA2314
IVE♭ unknown
D♯ - G - A - C♯
VF m7♭5
GCEA1312
4frGCEA12137frGCEA231410frGCEA1234
VIF unknown
G - A - C♯ - F
VIIA♭ mmaj7
GCEA1342
4frGCEA14137frGCEA221410frGCEA4221

scale

Ukulele fretboard diagram

A leading whole tone scale — ukulele fretboard diagramInteractive fretboard diagram showing the A leading whole tone scale on ukulele with 15 frets. Notes: A, B, C#, D#, F, G, G#.ABC#D#FGG#ABFGG#ABC#D#FGC#D#FGG#ABC#D#GG#ABC#D#FGG#A13579111213

A leading whole tone scale — ukulele chords and intervals

The harmonized A leading whole tone scale generates a chord set that floats through whole-tone ambiguity before arriving at a point of resolution. The chords from A leading whole tone are A augmented, B augmented, C# major, D# unknown, F diminished, A unknown, G# minor. The final degree provides the leading-tone tension that whole-tone harmony alone cannot achieve. Use these chords to create passages that drift weightlessly before landing on a satisfying cadence. Commonly used in Impressionist, Film Scores, Jazz. Notable players include Claude Debussy, Maurice Ravel.

The A leading whole tone scale has the following degrees: 1 2 3 ♯4 ♯5 ♭7 7.

Intervals: W-W-W-W-W-H-H.

Diatonic chords: A augmented, B augmented, C# major, D# unknown, F diminished, A unknown, G# minor.

DegreesChord
IA augmented
iiB augmented
iiiC# major
IVD# unknown
VF diminished
viA unknown
vii°G# minor

Degree-by-Degree Analysis

The I chord (A augmented) is the tonic — the gravitational center of the key. The ii chord (B augmented) is the minor subdominant, commonly used to approach the V chord. The iii chord (C# major) functions as a substitute for the I or vi. The IV chord (D# unknown) is the subdominant — it adds motion and moderate tension. The V chord (F diminished) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (A unknown) is the relative minor — it brings emotional color and depth. The vii° chord (G# minor) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the A leading whole tone scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the A leading whole tone scale on ukulele.

Related Scales

How to Use This Scale

Use as a transition device or over augmented chords that need to resolve. The leading tone provides a gentle gravitational pull absent in pure whole tone.

Explore A leading whole tone Further