A harmonic minor chords

All ukulele chords for the A harmonic minor scale

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Harmony
Originalii–V–ISec. Dom.

A harmonic minor scale diatonic chords

IA minor
GCEA2
GCEA232frGCEA13423frGCEA3241
IIB dim
GCEA4213
4frGCEA12435frGCEA11348frGCEA2431
IIIC aug
GCEA14
GCEA13423frGCEA42314frGCEA1124
IVD minor
GCEA231
2frGCEA12345frGCEA11135frGCEA1134
VE major
GCEA142
GCEA23414frGCEA11147frGCEA1143
VIF major
GCEA21
GCEA2135frGCEA11148frGCEA1132
VIIA♭ dim
GCEA1243
GCEA11345frGCEA243110frGCEA4213

A harmonic minor scale seventh chords

IA mmaj7
GCEA1
GCEA13425frGCEA11438frGCEA2214
IIB m7♭5
GCEA2314
4frGCEA12347frGCEA113210frGCEA1123
IIIC maj7♯5
GCEA12
2frGCEA4231GCEA23415frGCEA1423
IVD m7
GCEA2213
5frGCEA11117frGCEA221310frGCEA1324
VE 7
GCEA123
4frGCEA11127frGCEA11129frGCEA1324
VIF maj7
GCEA2413
5frGCEA11137frGCEA43218frGCEA1123
VIIA♭ dim7
GCEA1324
4frGCEA13247frGCEA132410frGCEA1324

scale

Ukulele fretboard diagram

A harmonic minor scale — ukulele fretboard diagramInteractive fretboard diagram showing the A harmonic minor scale on ukulele with 15 frets. Notes: A, B, C, D, E, F, G#.ABCDEFG#ABCEFG#ABCDEFCDEFG#ABCDG#ABCDEFG#A13579111213

A harmonic minor scale — ukulele chords and intervals

Harmonizing the A harmonic minor scale produces a unique chord family with a dominant V chord in a minor context, enabling strong authentic cadences. The raised seventh degree creates dramatic chord colors not found in natural minor. The chords of A harmonic minor are AmMaj7, Bm7b5, C+maj7, Dm7, E7, Fmaj7, G#o7. The V-i resolution is the defining sound of classical minor-key music. The augmented III chord adds exotic flavor, while the diminished vii° provides intense leading-tone tension perfect for neo-classical and flamenco progressions. Commonly used in Metal, Classical, Flamenco, Film Scores, Neoclassical. Notable players include Yngwie Malmsteen, Ritchie Blackmore, Johann Sebastian Bach.

The A harmonic minor scale has the following degrees: 1 2 ♭3 4 5 ♭6 7.

Intervals: W-H-W-W-H-3H-H.

Diatonic chords: AmMaj7, Bm7b5, C+maj7, Dm7, E7, Fmaj7, G#o7.

DegreesChord
IAmMaj7
iiBm7b5
iiiC+maj7
IVDm7
VE7
viFmaj7
vii°G#o7

Degree-by-Degree Analysis

The I chord (AmMaj7) is the tonic — the gravitational center of the key. The ii chord (Bm7b5) is the minor subdominant, commonly used to approach the V chord. The iii chord (C+maj7) functions as a substitute for the I or vi. The IV chord (Dm7) is the subdominant — it adds motion and moderate tension. The V chord (E7) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (Fmaj7) is the relative minor — it brings emotional color and depth. The vii° chord (G#o7) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the A harmonic minor scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the A harmonic minor scale on ukulele.

Related Scales

How to Use This Scale

Use over m(Maj7), m7, dim7 chords. Essential for creating V7 → i resolutions in minor keys. The raised 7th provides the leading tone that natural minor lacks.

Explore A harmonic minor Further