A double harmonic lydian chords

All ukulele chords for the A double harmonic lydian scale

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Harmony
Originalii–V–ISec. Dom.

A double harmonic lydian scale diatonic chords

IA major
GCEA21
2frGCEA12434frGCEA11429frGCEA1114
IIB♭ sus4
GCEA1134
3frGCEA12345frGCEA22415frGCEA3124
IIIC♯ minor
GCEA1234
4frGCEA11124frGCEA11346frGCEA1342
IVF unknown
D♯ - F - A
VE unknown
E - G♯ - B♭
VIF aug
GCEA312
GCEA11242frGCEA13425frGCEA1124
VIIA♭ sus2
GCEA1134
3frGCEA11246frGCEA11348frGCEA3312

A double harmonic lydian scale seventh chords

IA maj7
GCEA12
GCEA12345frGCEA24139frGCEA1113
IIB♭ unknown
B♭ - D♯ - F - A
IIIC♯ m6
GCEA123
GCEA12346frGCEA11329frGCEA1123
IVC♯ unknown
D♯ - F - A - C♯
VE unknown
E - G♯ - B♭ - D♯
VIF major seventh flat sixth
F - A - C♯ - E
VIIE♭ unknown
G♯ - B♭ - D♯ - F

scale

Ukulele fretboard diagram

A double harmonic lydian scale — ukulele fretboard diagramInteractive fretboard diagram showing the A double harmonic lydian scale on ukulele with 15 frets. Notes: A, A#, C#, D#, E, F, G#.AA#C#D#EFG#AA#EFG#AA#C#D#EFC#D#EFG#AA#C#D#G#AA#C#D#EFG#AA#13579111213

A double harmonic lydian scale — ukulele chords and intervals

Harmonizing the A double harmonic lydian scale generates a majestic chord family that combines Byzantine exoticism with Lydian brightness. The chords of A double harmonic lydian are A major, Bb suspended fourth, C# minor, F unknown, E unknown, F augmented, G# suspended second. These chords create an epic, otherworldly harmonic palette perfect for fantasy and science fiction scoring. The raised fourth adds a celestial quality to the already exotic Byzantine foundation. Commonly used in Film Scores, Fantasy, Progressive Metal. Notable players include Hans Zimmer, Opeth.

The A double harmonic lydian scale has the following degrees: 1 ♭2 3 ♯4 5 ♭6 7.

Intervals: H-3H-W-H-H-3H-H.

Diatonic chords: A major, Bb suspended fourth, C# minor, F unknown, E unknown, F augmented, G# suspended second.

DegreesChord
IA major
iiBb suspended fourth
iiiC# minor
IVF unknown
VE unknown
viF augmented
vii°G# suspended second

Degree-by-Degree Analysis

The I chord (A major) is the tonic — the gravitational center of the key. The ii chord (Bb suspended fourth) is the minor subdominant, commonly used to approach the V chord. The iii chord (C# minor) functions as a substitute for the I or vi. The IV chord (F unknown) is the subdominant — it adds motion and moderate tension. The V chord (E unknown) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (F augmented) is the relative minor — it brings emotional color and depth. The vii° chord (G# suspended second) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the A double harmonic lydian scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the A double harmonic lydian scale on ukulele.

double harmonic lydian is the 4th mode of the Double Harmonic Major. View A Double harmonic major scale

Related Scales

How to Use This Scale

Use over Maj7#11 chords in epic, fantasy-themed compositions. A specialized cinematic color.

Explore A double harmonic lydian Further