A composite blues chords

All ukulele chords for the A composite blues scale

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Harmony
Originalii–V–ISec. Dom.

A composite blues scale diatonic chords

IA unknown
A - C - D
IIB unknown
B - C♯ - E♭
IIIC unknown
C - D - E
IVE♭ m7
GCEA2213
6frGCEA11118frGCEA221311frGCEA1324
VE m7
GCEA12
3frGCEA22137frGCEA11119frGCEA2213
VIE♭ dim
GCEA132
5frGCEA42138frGCEA12439frGCEA1134
VIIE minor
GCEA321
GCEA34214frGCEA12347frGCEA1113
VIIIF♯ dim
GCEA23
3frGCEA24318frGCEA421311frGCEA1243
IXG unknown
G - B - C♯

A composite blues scale seventh chords

IA unknown
A - C - D - E
IIB unknown
B - C♯ - E♭ - F♯
IIIC unknown
C - D - E - G
IVE♭ m7♭5
GCEA1123
5frGCEA23148frGCEA123411frGCEA1132
VE m7
GCEA12
3frGCEA22137frGCEA11119frGCEA2213
VIE♭ dim7
GCEA1324
5frGCEA13248frGCEA132411frGCEA1324
VIIE m6
GCEA12
GCEA23146frGCEA12349frGCEA1132
VIIID 7
GCEA1112
5frGCEA11127frGCEA132410frGCEA2314
IXE♭ unknown
G - B - C♯ - E♭

scale

Ukulele fretboard diagram

A composite blues scale — ukulele fretboard diagramInteractive fretboard diagram showing the A composite blues scale on ukulele with 15 frets. Notes: A, B, C, C#, D, D#, E, F#, G.ABCC#DD#EF#GABCEF#GABCC#DD#EF#GCC#DD#EF#GABCC#DD#GABCC#DD#EF#GA13579111213

A composite blues scale — ukulele chords and intervals

Harmonizing the A composite blues scale produces a comprehensive jazz chord family that merges major and minor blues structures into a single, flexible harmonic palette. The chords of A composite blues are A unknown, B unknown, C unknown, Eb minor seventh, E minor seventh, Eb diminished, E minor, F# diminished, G unknown. The nine chords allow improvisers to freely mix happy and gritty chord colors over dominant harmony. This chord family is the ultimate toolkit for jazz-blues comping, providing every shade between major and minor. Commonly used in Jazz, Blues, Fusion, Funk. Notable players include John Scofield, Robben Ford, Larry Carlton.

The A composite blues scale has the following degrees: 1 2 ♭3 3 4 ♭5 5 6 ♭7.

Intervals: W-H-H-H-H-H-W-H-W.

Diatonic chords: A unknown, B unknown, C unknown, Eb minor seventh, E minor seventh, Eb diminished, E minor, F# diminished, G unknown.

DegreesChord
IA unknown
iiB unknown
iiiC unknown
IVEb minor seventh
VE minor seventh
viEb diminished
vii°E minor
8F# diminished
9G unknown

Degree-by-Degree Analysis

The I chord (A unknown) is the tonic — the gravitational center of the key. The ii chord (B unknown) is the minor subdominant, commonly used to approach the V chord. The iii chord (C unknown) functions as a substitute for the I or vi. The IV chord (Eb minor seventh) is the subdominant — it adds motion and moderate tension. The V chord (E minor seventh) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (Eb diminished) is the relative minor — it brings emotional color and depth. The vii° chord (E minor) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the A composite blues scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the A composite blues scale on ukulele.

Related Scales

How to Use This Scale

Use over dominant 7th chords in blues and jazz-blues. Contains both major and minor 3rds, allowing fluid switching between bright and dark.

Explore A composite blues Further