A altered chords

All ukulele chords for the A altered scale

Show scale diagram ↓
Harmony
Originalii–V–ISec. Dom.

A altered scale diatonic chords

IA dim
2frGCEA1243
3frGCEA11346frGCEA243111frGCEA4213
IIB♭ minor
GCEA1113
GCEA11343frGCEA13424frGCEA3241
IIIC minor
GCEA123
3frGCEA11133frGCEA11345frGCEA1342
IVC♯ aug
GCEA312
GCEA11242frGCEA13424frGCEA4231
VE♭ major
GCEA341
GCEA23413frGCEA11146frGCEA1132
VIF major
GCEA21
GCEA2135frGCEA11148frGCEA1132
VIIG dim
GCEA132
GCEA11344frGCEA24319frGCEA4213

A altered scale seventh chords

IA m7♭5
GCEA1234
5frGCEA11328frGCEA112311frGCEA2314
IIB♭ mmaj7
GCEA312
GCEA11123frGCEA13426frGCEA1143
IIIC m7
GCEA1111
5frGCEA22138frGCEA132411frGCEA2213
IVC♯ major seventh flat sixth
C♯ - F - A - C
VE♭ 7
GCEA1112
6frGCEA11128frGCEA132411frGCEA2314
VIF 7
GCEA2314
5frGCEA11128frGCEA111210frGCEA1324
VIIG m7♭5
GCEA123
3frGCEA11326frGCEA11239frGCEA2314

scale

Ukulele fretboard diagram

A altered scale — ukulele fretboard diagramInteractive fretboard diagram showing the A altered scale on ukulele with 15 frets. Notes: A, A#, C, C#, D#, F, G.AA#CC#D#FGAA#CFGAA#CC#D#FGCC#D#FGAA#CC#D#GAA#CC#D#FGAA#13579111213

A altered scale — ukulele chords and intervals

Harmonizing the A altered scale produces the most tension-filled chord family in jazz. Every chord contains altered tones that demand resolution, making this the ultimate tool for dominant-function harmony. The chords of A altered are A diminished, Bb minor, C minor, C# augmented, D# major, F major, G diminished. Use these chords over V7alt passages to create maximum pull toward the tonic. The altered chord family is essential for jazz reharmonization, turning simple changes into rich, chromatic voice leading. Commonly used in Jazz, Fusion, Post-Bop, Contemporary. Notable players include John Coltrane, Michael Brecker, Pat Metheny, Chick Corea.

The A altered scale has the following degrees: 1 ♭2 ♯2 3 ♯4 ♭6 ♭7.

Intervals: H-W-H-W-W-W-W.

Diatonic chords: A diminished, Bb minor, C minor, C# augmented, D# major, F major, G diminished.

DegreesChord
IA diminished
iiBb minor
iiiC minor
IVC# augmented
VD# major
viF major
vii°G diminished

Degree-by-Degree Analysis

The I chord (A diminished) is the tonic — the gravitational center of the key. The ii chord (Bb minor) is the minor subdominant, commonly used to approach the V chord. The iii chord (C minor) functions as a substitute for the I or vi. The IV chord (C# augmented) is the subdominant — it adds motion and moderate tension. The V chord (D# major) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (F major) is the relative minor — it brings emotional color and depth. The vii° chord (G diminished) is the diminished — the most tense, rarely used alone, usually leading to the I.

This page focuses on the harmonic content — the chords built from each degree of the A altered scale. For fretboard patterns and fingering guides, see the scale page.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the A altered scale on ukulele.

altered is the 7th mode of the Melodic Minor scale (Super Locrian). View A Melodic minor scale

Related Scales

How to Use This Scale

Use over 7alt, 7#9, 7b9, 7#5, 7b5 chords. The definitive scale for altered dominant chords that resolve to minor. Play C Altered over C7alt resolving to Fm.

Explore A altered Further