F Major Seventh Sharp Eleventh Ukulele Arpeggio
Ukulele arpeggio — fretboard diagram
F Major Seventh Sharp Eleventh Arpeggio — Notes and Intervals
Notes: F, A, C, E, B
Intervals: 1P, 3M, 5P, 7M, 11A
Formula: 2W-WH-2W-7
Number of notes: 5
Also known as: maj#4, Δ#4, Δ#11, M7#11, ^7#11, maj7#11
The F Major Seventh Sharp Eleventh arpeggio contains 5 notes (F, A, C, E, B). Use the interactive fretboard above to explore this arpeggio on Ukulele with different tunings and fret ranges.
When to Use the F Major Seventh Sharp Eleventh Arpeggio
Play the F Major Seventh Sharp Eleventh arpeggio whenever a F Major Seventh Sharp Eleventh chord appears in a progression. Unlike scales (which include passing tones), arpeggios guarantee every note you play IS a chord tone, making your solo sound harmonically precise and intentional.
Arpeggio vs. Scale
The F Major Seventh Sharp Eleventh arpeggio uses 5 notes (F, A, C, E, B) while the full scale uses 7. The arpeggio is a subset — think of it as the skeleton of the scale. Practice alternating between the arpeggio and the full scale to develop a melodic vocabulary that mixes chord tones with passing tones.
How to Play F Major Seventh Sharp Eleventh Arpeggio on Ukulele
On ukulele, find F around fret 5 and play through the arpeggio tones (F, A, C, E, B). You may need to move beyond a single chord shape to reach all 5 notes. Practice connecting the arpeggio tones smoothly across adjacent fret positions.
The F Major Seventh Sharp Eleventh arpeggio outlines a F major chord and works perfectly over F, Fmaj7, F6 harmonies. It is a foundational arpeggio for soloing over major-key progressions and emphasizes the bright, resolved character of the major triad.
Practice Routine
Practice the F Major Seventh Sharp Eleventh arpeggio in different octaves, starting low and working up. Then try displacing the octaves — play the root low, the A an octave higher, and continue leaping. This trains your ear to hear the intervals (1P, 3M, 5P, 7M, 11A) in any register.
Ukulele Tips
The ukulele's re-entrant tuning creates natural voice leading within the F Major Seventh Sharp Eleventh arpeggio. Experiment with picking patterns that take advantage of the high G string to create unexpected interval leaps within the arpeggio shape.