D Sixth Added Ninth Ukulele Arpeggio
Ukulele arpeggio — fretboard diagram
D Sixth Added Ninth Arpeggio — Notes and Intervals
Notes: D, F#, A, B, E
Intervals: 1P, 3M, 5P, 6M, 9M
Formula: 2W-WH-W-5
Number of notes: 5
Also known as: 6add9, 6/9, 69, M69
The D Sixth Added Ninth arpeggio contains 5 notes (D, F#, A, B, E). Use the interactive fretboard above to explore this arpeggio on Ukulele with different tunings and fret ranges.
When to Use the D Sixth Added Ninth Arpeggio
Play the D Sixth Added Ninth arpeggio whenever a D Sixth Added Ninth chord appears in a progression. Unlike scales (which include passing tones), arpeggios guarantee every note you play IS a chord tone, making your solo sound harmonically precise and intentional.
Arpeggio vs. Scale
The D Sixth Added Ninth arpeggio uses 5 notes (D, F#, A, B, E) while the full scale uses 7. The arpeggio is a subset — think of it as the skeleton of the scale. Practice alternating between the arpeggio and the full scale to develop a melodic vocabulary that mixes chord tones with passing tones.
How to Play D Sixth Added Ninth Arpeggio on Ukulele
On ukulele, find D around fret 2 and play through the arpeggio tones (D, F#, A, B, E). You may need to move beyond a single chord shape to reach all 5 notes. Practice connecting the arpeggio tones smoothly across adjacent fret positions.
The D Sixth Added Ninth arpeggio contains extended tones beyond the basic triad, adding harmonic color and sophistication. Use it over D9, D11, D13 chords to outline richer voicings in jazz, fusion, and neo-soul contexts.
Practice Routine
Start by playing the D Sixth Added Ninth arpeggio ascending and descending at 60 BPM, one note per beat, using a metronome. Once even and confident, play it in eighth notes, then triplets, keeping each note articulate. Spend at least 5 minutes daily on this before moving to musical application.
Ukulele Tips
The ukulele's re-entrant tuning creates natural voice leading within the D Sixth Added Ninth arpeggio. Experiment with picking patterns that take advantage of the high G string to create unexpected interval leaps within the arpeggio shape.