D# Minor/major Seventh Ukulele Arpeggio
Ukulele arpeggio — fretboard diagram
D# Minor/major Seventh Arpeggio — Notes and Intervals
Notes: D#, F#, A#, D
Intervals: 1P, 3m, 5P, 7M
Formula: WH-2W-2W
Number of notes: 4
Also known as: m/ma7, m/maj7, mM7, mMaj7, m/M7, -Δ7, mΔ, -^7, -maj7
The D# Minor/major Seventh arpeggio contains 4 notes (D#, F#, A#, D). Use the interactive fretboard above to explore this arpeggio on Ukulele with different tunings and fret ranges.
When to Use the D# Minor/major Seventh Arpeggio
Play the D# Minor/major Seventh arpeggio whenever a D# Minor/major Seventh chord appears in a progression. Unlike scales (which include passing tones), arpeggios guarantee every note you play IS a chord tone, making your solo sound harmonically precise and intentional.
Arpeggio vs. Scale
The D# Minor/major Seventh arpeggio uses 4 notes (D#, F#, A#, D) while the full scale uses 7. The arpeggio is a subset — think of it as the skeleton of the scale. Practice alternating between the arpeggio and the full scale to develop a melodic vocabulary that mixes chord tones with passing tones.
How to Play D# Minor/major Seventh Arpeggio on Ukulele
On ukulele, find D# around fret 2 and play through the arpeggio tones (D#, F#, A#, D). You may need to move beyond a single chord shape to reach all 4 notes. Practice connecting the arpeggio tones smoothly across adjacent fret positions.
The D# Minor/major Seventh arpeggio outlines a D# minor chord and fits naturally over D#m, D#m7, D#m6 voicings. Use it to bring out the darker, expressive quality of minor harmony in your solos and melodies.
Practice Routine
Play the D# Minor/major Seventh arpeggio as whole notes over a backing track or drone on D#. Focus on intonation and tone quality for each of the 4 notes (D#, F#, A#, D). After a few passes, begin improvising short melodic phrases built from these arpeggio tones, connecting them with passing notes.
Ukulele Tips
The ukulele's re-entrant tuning creates natural voice leading within the D# Minor/major Seventh arpeggio. Experiment with picking patterns that take advantage of the high G string to create unexpected interval leaps within the arpeggio shape.