D Major Seventh Flat Sixth Ukulele Arpeggio
Ukulele arpeggio — fretboard diagram
D Major Seventh Flat Sixth Arpeggio — Notes and Intervals
Notes: D, F#, Bb, C#
Intervals: 1P, 3M, 6m, 7M
Formula: 2W-2W-WH
Number of notes: 4
Also known as: M7b6, ^7b6
The D Major Seventh Flat Sixth arpeggio contains 4 notes (D, F#, Bb, C#). Use the interactive fretboard above to explore this arpeggio on Ukulele with different tunings and fret ranges.
When to Use the D Major Seventh Flat Sixth Arpeggio
Play the D Major Seventh Flat Sixth arpeggio whenever a D Major Seventh Flat Sixth chord appears in a progression. Unlike scales (which include passing tones), arpeggios guarantee every note you play IS a chord tone, making your solo sound harmonically precise and intentional.
Arpeggio vs. Scale
The D Major Seventh Flat Sixth arpeggio uses 4 notes (D, F#, Bb, C#) while the full scale uses 7. The arpeggio is a subset — think of it as the skeleton of the scale. Practice alternating between the arpeggio and the full scale to develop a melodic vocabulary that mixes chord tones with passing tones.
How to Play D Major Seventh Flat Sixth Arpeggio on Ukulele
On ukulele, find D around fret 2 and play through the arpeggio tones (D, F#, Bb, C#). You may need to move beyond a single chord shape to reach all 4 notes. Practice connecting the arpeggio tones smoothly across adjacent fret positions.
The D Major Seventh Flat Sixth arpeggio outlines a D major chord and works perfectly over D, Dmaj7, D6 harmonies. It is a foundational arpeggio for soloing over major-key progressions and emphasizes the bright, resolved character of the major triad.
Practice Routine
Practice the D Major Seventh Flat Sixth arpeggio in different octaves, starting low and working up. Then try displacing the octaves — play the root low, the F# an octave higher, and continue leaping. This trains your ear to hear the intervals (1P, 3M, 6m, 7M) in any register.
Ukulele Tips
The ukulele's re-entrant tuning creates natural voice leading within the D Major Seventh Flat Sixth arpeggio. Experiment with picking patterns that take advantage of the high G string to create unexpected interval leaps within the arpeggio shape.