What are the diatonic chords of F# Whole Tone Pentatonic?

The diatonic chords of F# Whole Tone Pentatonic are built by harmonizing each degree of the scale in thirds. The scale degrees are 1 3 ♭5 ♭6 ♭7 and the intervals are 2W-W-W-W-W. The triads are: F# (1-♭5-♭7), A# augmented, C (1-3-♭7), D (1-3-♭7), E (1-♭5-♭7).

What is scale harmonization?

Scale harmonization is the process of building chords from each degree of a scale by stacking thirds. Each note of the scale becomes the root of a chord, producing a set of diatonic chords (triads and seventh chords) that naturally belong to that key.

What is Practice Mode in the Scale Harmonizer?

Practice Mode is an interactive study tool that cycles through all diatonic chords with a synchronized fretboard visualization (switch between scale and arpeggio view), adjustable tempo (40–240 BPM), and audio playback. It includes ii-V-I progressions and secondary dominant exercises — the fretboard automatically shows the contextually correct scale for each chord (e.g., Dorian for the ii, Mixolydian for the V7).

F# whole tone pentatonic chords

All tres cubano chords for the F# whole tone pentatonic scale

Show scale diagram ↓

Chord Voicings

Harmony

Originalii–V–ISec. Dom.

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FingerNoteDegree

Fretboard

ScaleArpeggio

F♯ whole tone pentatonic scale diatonic chords

IF♯ (1-♭5-♭7)

IIB♭ aug

IIIC (1-3-♭7)

IVD (1-3-♭7)

VE (1-♭5-♭7)

F♯ whole tone pentatonic scale seventh chords

IF♯ (1-3-♭5-♭7)

IIB♭ (1-2-3-♭6)

IIIC (1-2-3-♭7)

IVD (1-2-3-♭7)

VE (1-2-♭5-♭7)

F# whole tone pentatonic — Tres Cubano scale

Tres Cubano fretboard diagram

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F# whole tone pentatonic scale — chords and intervals

Diatonic chords: F# (1-♭5-♭7), A# augmented, C (1-3-♭7), D (1-3-♭7), E (1-♭5-♭7).

Intervals: 2W-W-W-W-W.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the F# whole tone pentatonic scale on Tres Cubano.