What are the diatonic chords of B Lydian Dominant Pentatonic?

The diatonic chords of B Lydian Dominant Pentatonic are built by harmonizing each degree of the scale in thirds. The scale degrees are 1 3 ♯4 5 ♭7 and the intervals are 2W-W-H-3H-W. The triads are: B (1-♭5-♭7), D# minor augmented, F (1-3-♭7), F# (1-4-7), D# diminished.

What is scale harmonization?

Scale harmonization is the process of building chords from each degree of a scale by stacking thirds. Each note of the scale becomes the root of a chord, producing a set of diatonic chords (triads and seventh chords) that naturally belong to that key.

What is Practice Mode in the Scale Harmonizer?

Practice Mode is an interactive study tool that cycles through all diatonic chords with a synchronized fretboard visualization (switch between scale and arpeggio view), adjustable tempo (40–240 BPM), and audio playback. It includes ii-V-I progressions and secondary dominant exercises — the fretboard automatically shows the contextually correct scale for each chord (e.g., Dorian for the ii, Mixolydian for the V7).

B lydian dominant pentatonic chords

All tres cubano chords for the B lydian dominant pentatonic scale

Show scale diagram ↓

Chord Voicings

Harmony

Originalii–V–ISec. Dom.

Display

FingerNoteDegree

Fretboard

ScaleArpeggio

B lydian dominant pentatonic scale diatonic chords

IB (1-♭5-♭7)

IIE♭ minor augmented

IIIF (1-3-♭7)

IVF♯ (1-4-7)

VE♭ dim

B lydian dominant pentatonic scale seventh chords

IB (1-3-♭5-♭7)

IIE♭ (1-2-♭3-♭6)

IIIF alt

IVF♯ (1-♭3-4-7)

VB 7

B lydian dominant pentatonic — Tres Cubano scale

Tres Cubano fretboard diagram

Display

B lydian dominant pentatonic scale — chords and intervals

Diatonic chords: B (1-♭5-♭7), D# minor augmented, F (1-3-♭7), F# (1-4-7), D# diminished.

Intervals: 2W-W-H-3H-W.

Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the B lydian dominant pentatonic scale on Tres Cubano.