G Flat Six Pentatonic Timple Canario Scale
Timple Canario scale — fretboard diagram
G Flat Six Pentatonic Scale — Notes and Intervals
The G Flat Six Pentatonic scale is a modern synthetic pentatonic used to imply the sound of the melodic minor system. On Timple Canario, its notes are G, A, B, D, Eb. It provides a poignant and slightly altered texture to major melodies, making it a favorite for contemporary jazz players looking for fresh melodic paths. Commonly used in Contemporary Jazz, Fusion, Post-Bop. Notable players include Pat Metheny, Kurt Rosenwinkel. Use over Maj7, mMaj7, and altered dominant chords. A modern jazz tool for fresh melodic paths.
Notes: G, A, B, D, Eb
Intervals: 1P, 2M, 3M, 5P, 6m
Degrees: 1 2 3 4 b5
Formula: W-W-WH-H-4
Number of notes: 5
How to Play G Flat Six Pentatonic on Timple Canario
Begin by locating G on your instrument and play through the 5 notes of the Flat Six Pentatonic scale slowly, ensuring each note rings clearly before increasing speed.
The G Flat Six Pentatonic scale contains 1 flat (Eb). This scale does not follow a traditional major or minor key signature, so reading from sheet music may require accidentals.
Practice Routine
Practice the G Flat Six Pentatonic scale by playing it ascending with one rhythmic feel (straight eighth notes) and descending with another (swing or triplets) at 80 BPM. This dual approach trains both technical accuracy and rhythmic versatility with the 5 notes of the scale.
This scale works well over simple power chord progressions or a 12-bar blues in G. Try a G5 - D5 - Eb5 progression.
Timple Canario Tips
Practice the G Flat Six Pentatonic scale slowly and evenly on your instrument, focusing on tone quality for each of the 5 notes before building speed.
The G Flat Six Pentatonic scale contains 5 notes (G, A, B, D, Eb). Use the interactive fretboard above to explore this scale on Timple Canario with different tunings and fret ranges.
CAGED Positions & Patterns for G Flat Six Pentatonic
The G Flat Six Pentatonic scale can be played in 5 CAGED positions across the fretboard, each based on an open chord shape (C, A, G, E, D). As a 5-note pentatonic scale, 2-notes-per-string patterns are the most ergonomic way to traverse the fretboard. Use the pattern selector above to isolate each position.