B Lydian #5p Pentatonic Timple Canario Scale
Timple Canario scale — fretboard diagram
B Lydian #5p Pentatonic Scale — Notes and Intervals
The B Lydian #5p Pentatonic scale is a high-tension scale that combines the brightness of Lydian with the mystery of Augmented chords. On Timple Canario, it contains the notes B, D#, F, G, A#. It is a specialized tool for fusion and modern jazz, designed to be played over complex major-augmented harmonies. Commonly used in Fusion, Modern Jazz, Progressive. Notable players include Allan Holdsworth, Greg Howe. Use over Maj7#5, Maj7#11 chords. Specialized tool for augmented major harmony in fusion contexts.
Notes: B, D#, F, G, A#
Intervals: 1P, 3M, 4A, 5A, 7M
Degrees: 1 2 #3 #4 5
Formula: 4-W-W-WH-H
Number of notes: 5
How to Play B Lydian #5p Pentatonic on Timple Canario
Begin by locating B on your instrument and play through the 5 notes of the Lydian #5p Pentatonic scale slowly, ensuring each note rings clearly before increasing speed.
The B Lydian #5p Pentatonic scale contains 2 sharps (D#, A#). This scale does not follow a traditional major or minor key signature, so reading from sheet music may require accidentals.
Practice Routine
Set a metronome to 80 BPM and play the B Lydian #5p Pentatonic scale in groups of four notes, shifting the starting note each repetition. This builds muscle memory across the entire scale range. After a week, try improvising short 4-bar phrases using only these notes.
This scale works well over simple power chord progressions or a 12-bar blues in B. Try a B5 - G5 - A#5 progression.
Timple Canario Tips
Practice the B Lydian #5p Pentatonic scale slowly and evenly on your instrument, focusing on tone quality for each of the 5 notes before building speed.
The B Lydian #5p Pentatonic scale contains 5 notes (B, D#, F, G, A#). Use the interactive fretboard above to explore this scale on Timple Canario with different tunings and fret ranges.
CAGED Positions & Patterns for B Lydian #5p Pentatonic
The B Lydian #5p Pentatonic scale can be played in 5 CAGED positions across the fretboard, each based on an open chord shape (C, A, G, E, D). As a 5-note pentatonic scale, 2-notes-per-string patterns are the most ergonomic way to traverse the fretboard. Use the pattern selector above to isolate each position.