E Ultralocrian Mandolin Scale — Standard
Mandolin scale in Standard tuning — fretboard diagram
E Ultralocrian in Standard — Notes and Intervals
The E Ultralocrian scale is an extremely dark and condensed scale used to create intense chromatic tension. On Mandolin, its notes are E, F, G, Ab, Bb, C, Db. It is used in avant-garde jazz and dark ambient music to explore the most dissonant boundaries of minor-key tonality. Commonly used in Avant-Garde, Dark Ambient, Experimental Jazz. Notable players include John Zorn, Derek Bailey. Use over dim7 chords in avant-garde contexts. More of a compositional tool than an improvisational one.
Notes: E, F, G, Ab, Bb, C, Db
Intervals: 1P, 2m, 3m, 4d, 5d, 6m, 7d
Degrees: 1 b2 b3 4 5 b6 7
Formula: H-W-H-W-W-H-WH
Number of notes: 7
Tuning: Standard (G-D-A-E)
Also known as: superlocrian bb7, superlocrian diminished
About Standard Tuning
The mandolin is tuned in fifths — G-D-A-E from low to high — the same intervals as a violin. This tuning gives the mandolin its distinctive bright, penetrating tone that cuts through any ensemble. With only four courses of doubled strings and 20 frets, the mandolin rewards precise melodic playing and rapid tremolo picking.
From Bill Monroe's invention of bluegrass to Chris Thile's genre-defying virtuosity with Punch Brothers, the mandolin has proven itself far beyond its folk roots. Its fifths tuning makes it a natural partner for fiddle players, and its compact fretboard encourages creative chord voicings and rapid scale runs that are impossible on guitar. The mandolin is also central to Italian classical music, Brazilian choro, and Irish traditional music.
Notable artists: Bill Monroe, Chris Thile, David Grisman, Sam Bush, Sierra Hull
Best for: Bluegrass leads, Celtic melodies, tremolo picking, and any ensemble that needs a bright, cutting melodic voice