E Locrian Pentatonic Mandolin Scale — Standard
Mandolin scale in Standard tuning — fretboard diagram
E Locrian Pentatonic in Standard — Notes and Intervals
The E Locrian Pentatonic scale is an unstable and mysterious scale used to evoke tension and ambiguity. On Mandolin, its notes are E, G, A, Bb, D. It is often found in experimental music and certain Indian Ragas, providing a dissonant, outside sound that is perfect for dark, avant-garde, or high-tension compositions. Commonly used in Jazz, Fusion, Experimental, Progressive. Notable players include John Scofield, Kurt Rosenwinkel. Use over m7b5 (half-diminished) chords. Essential for jazz solos over ii chords in minor ii-V-i progressions.
Notes: E, G, A, Bb, D
Intervals: 1P, 3m, 4P, 5d, 7m
Degrees: 1 b2 3 4 b5
Formula: WH-W-H-4-W
Number of notes: 5
Tuning: Standard (G-D-A-E)
Also known as: minor seven flat five pentatonic
About Standard Tuning
The mandolin is tuned in fifths — G-D-A-E from low to high — the same intervals as a violin. This tuning gives the mandolin its distinctive bright, penetrating tone that cuts through any ensemble. With only four courses of doubled strings and 20 frets, the mandolin rewards precise melodic playing and rapid tremolo picking.
From Bill Monroe's invention of bluegrass to Chris Thile's genre-defying virtuosity with Punch Brothers, the mandolin has proven itself far beyond its folk roots. Its fifths tuning makes it a natural partner for fiddle players, and its compact fretboard encourages creative chord voicings and rapid scale runs that are impossible on guitar. The mandolin is also central to Italian classical music, Brazilian choro, and Irish traditional music.
Notable artists: Bill Monroe, Chris Thile, David Grisman, Sam Bush, Sierra Hull
Best for: Bluegrass leads, Celtic melodies, tremolo picking, and any ensemble that needs a bright, cutting melodic voice