D Altered Mandolin Scale — Standard
Mandolin scale in Standard tuning — fretboard diagram
D Altered in Standard — Notes and Intervals
The D Altered scale is the ultimate dominant scale in jazz. On Mandolin, its notes are D, Eb, F, F#, G#, Bb, C. It contains every possible altered tension, making it sound extremely dissonant and complex. It is used by professional improvisers to create maximum tension over a dominant chord before a satisfying resolution. Commonly used in Jazz, Fusion, Post-Bop, Contemporary. Notable players include John Coltrane, Michael Brecker, Pat Metheny, Chick Corea. Use over 7alt, 7#9, 7b9, 7#5, 7b5 chords. The definitive scale for altered dominant chords that resolve to minor. Play C Altered over C7alt resolving to Fm.
Notes: D, Eb, F, F#, G#, Bb, C
Intervals: 1P, 2m, 2A, 3M, 4A, 6m, 7m
Degrees: 1 b2 #3 4 #5 b6 b7
Formula: H-W-H-W-W-W-W
Number of notes: 7
Tuning: Standard (G-D-A-E)
Also known as: super locrian, diminished whole tone, pomeroy
About Standard Tuning
The mandolin is tuned in fifths — G-D-A-E from low to high — the same intervals as a violin. This tuning gives the mandolin its distinctive bright, penetrating tone that cuts through any ensemble. With only four courses of doubled strings and 20 frets, the mandolin rewards precise melodic playing and rapid tremolo picking.
From Bill Monroe's invention of bluegrass to Chris Thile's genre-defying virtuosity with Punch Brothers, the mandolin has proven itself far beyond its folk roots. Its fifths tuning makes it a natural partner for fiddle players, and its compact fretboard encourages creative chord voicings and rapid scale runs that are impossible on guitar. The mandolin is also central to Italian classical music, Brazilian choro, and Irish traditional music.
Notable artists: Bill Monroe, Chris Thile, David Grisman, Sam Bush, Sierra Hull
Best for: Bluegrass leads, Celtic melodies, tremolo picking, and any ensemble that needs a bright, cutting melodic voice