F# Leading Whole Tone Guitar Scale — Drop B

Guitar scale in Drop B tuning — fretboard diagram

F# Leading Whole Tone in Drop B — Notes and Intervals

The F# Leading Whole Tone scale is a symmetrical scale that combines the weightless blur of the whole-tone system with a final bit of traditional resolution tension. On Guitar, its notes are F#, G#, A#, C, D, E, F. It is used to create a sense of floating that eventually finds a home. Commonly used in Impressionist, Film Scores, Jazz. Notable players include Claude Debussy, Maurice Ravel. Use as a transition device or over augmented chords that need to resolve. The leading tone provides a gentle gravitational pull absent in pure whole tone.

Notes: F#, G#, A#, C, D, E, F

Intervals: 1P, 2M, 3M, 4A, 5A, 7m, 7M

Degrees: 1 2 3 #4 #5 b6 7

Formula: W-W-W-W-W-H-H

Number of notes: 7

Tuning: Drop B (B-F#-B-E-G#-C#)

About Drop B Tuning

Drop B tuning (B-F#-B-E-G#-C#) takes the guitar into territory traditionally reserved for 7-string instruments, delivering a subsonic heaviness that you can feel in your chest. This tuning has become essential in modern extreme metal, deathcore, and djent, where low-end clarity and rhythmic precision are paramount.

Drop B represents the practical limit of what a standard 6-string guitar can handle before tone quality degrades. With the right string gauge (12-60 or heavier) and proper setup, it delivers the crushing lows of a 7-string while keeping the familiar 6-string layout. Bands like Architects, Periphery (on some tracks), and Parkway Drive have used Drop B to create some of the heaviest riffs in modern metal.

DeathcoreDjentProgressive MetalExtreme MetalMetalcore

Notable artists: Architects, Parkway Drive, Whitechapel, Born of Osiris, Emmure

Best for: Extreme metal riffs, deathcore breakdowns, djent chugs, and any style demanding the lowest possible 6-string tuning

Explore This Scale in Other Tunings

← All Guitar scales in Drop B tuning