B Locrian #2 Guitar Scale — Drop B

Guitar scale in Drop B tuning — fretboard diagram

B Locrian #2 in Drop B — Notes and Intervals

The B Locrian #2 scale is a more usable and consonant version of the standard Locrian mode. On Guitar, it contains the notes B, C#, D, E, F, G, A. It is the preferred choice for jazz musicians soloing over half-diminished chords, as its natural second degree allows for much smoother and more melodic voice leading. Commonly used in Jazz, Post-Bop, Contemporary. Notable players include John Coltrane, Woody Shaw, Steve Coleman. Use over m7b5 chords. The preferred jazz choice over half-diminished chords (vs standard Locrian which sounds too harsh).

Notes: B, C#, D, E, F, G, A

Intervals: 1P, 2M, 3m, 4P, 5d, 6m, 7m

Degrees: 1 2 b3 4 5 b6 b7

Formula: W-H-W-H-W-W-W

Number of notes: 7

Tuning: Drop B (B-F#-B-E-G#-C#)

Also known as: half-diminished, aeolian b5

About Drop B Tuning

Drop B tuning (B-F#-B-E-G#-C#) takes the guitar into territory traditionally reserved for 7-string instruments, delivering a subsonic heaviness that you can feel in your chest. This tuning has become essential in modern extreme metal, deathcore, and djent, where low-end clarity and rhythmic precision are paramount.

Drop B represents the practical limit of what a standard 6-string guitar can handle before tone quality degrades. With the right string gauge (12-60 or heavier) and proper setup, it delivers the crushing lows of a 7-string while keeping the familiar 6-string layout. Bands like Architects, Periphery (on some tracks), and Parkway Drive have used Drop B to create some of the heaviest riffs in modern metal.

DeathcoreDjentProgressive MetalExtreme MetalMetalcore

Notable artists: Architects, Parkway Drive, Whitechapel, Born of Osiris, Emmure

Best for: Extreme metal riffs, deathcore breakdowns, djent chugs, and any style demanding the lowest possible 6-string tuning

Explore This Scale in Other Tunings

← All Guitar scales in Drop B tuning