G# Bebop Cuatro Venezolano Scale — Standard
Cuatro Venezolano scale in Standard tuning — fretboard diagram
G# Bebop in Standard — Notes and Intervals
The G# Bebop scale is the dominant bebop scale, an eight-note extension of the Mixolydian mode. On Cuatro Venezolano, the notes are G#, A#, C, C#, D#, F, F#, G. By adding a chromatic passing tone, it ensures that the most important notes land on the strong beats, allowing jazz players to create fluid, professional-sounding lines. Commonly used in Jazz, Bebop, Swing, Hard Bop. Notable players include Charlie Parker, Wes Montgomery, Joe Pass, George Benson. Use over dominant 7th chords. The added passing tone ensures that the root, 3rd, 5th, and b7 fall on downbeats during eighth-note runs — the 'trick' that makes bebop sound professional.
Notes: G#, A#, C, C#, D#, F, F#, G
Intervals: 1P, 2M, 3M, 4P, 5P, 6M, 7m, 7M
Degrees: 1 2 3 4 5 6 b7 8
Formula: W-W-H-W-W-H-H-H
Number of notes: 8
Tuning: Standard (A-D-F#-B)
About Standard Tuning
The Cuatro Venezolano is a four-string instrument tuned A-D-F#-B with a reentrant tuning — the 4th string (B) is tuned lower than the 3rd string (F#), breaking the ascending pitch order. This reentrant voicing gives the Cuatro its signature bright, harp-like strumming sound that drives the rhythm in joropo, vals venezolano, and other Venezuelan folk genres.
The Cuatro is the national instrument of Venezuela, as fundamental to Venezuelan music as the guitar is to flamenco. Its distinctive rasgueo (strumming) technique produces a rhythmic drive that is instantly recognizable. Unlike guitar, the Cuatro is primarily a rhythmic instrument — its reentrant tuning creates a compact voicing range that blends beautifully with harp and maracas in traditional ensembles. Players like Cheo Hurtado and Hernán Gamboa have elevated the Cuatro to a solo concert instrument.
Notable artists: Cheo Hurtado, Hernán Gamboa, Simón Díaz, C4 Trío, Jorge Glem
Best for: Venezuelan folk music, joropo rhythm, Latin ensemble playing, and any style that needs bright rhythmic strumming