F Mixolydian Cuatro Venezolano Scale — Standard
Cuatro Venezolano scale in Standard tuning — fretboard diagram
F Mixolydian in Standard — Notes and Intervals
The F Mixolydian scale is the fifth mode of the major scale and the heart of rock and roll and blues. On Cuatro Venezolano, it contains the notes F, G, A, Bb, C, D, Eb. It combines the stability of a major sound with a more relaxed, folk-like ending, perfectly suited for soloing over dominant seventh chords and providing a bluesy, soulful vibe to major-key songs. The diatonic chords of F Mixolydian are F7, Gm7, Am7b5, BbMaj7, Cm7, Dm7, EbMaj7. Commonly used in Blues, Rock, Country, Folk, Funk. Notable players include Jimi Hendrix, The Allman Brothers, AC/DC, Stevie Ray Vaughan. Use over dominant 7th chords (7, 9, 13). The primary scale for blues-rock soloing over non-resolving dominant chords.
Notes: F, G, A, Bb, C, D, Eb
Intervals: 1P, 2M, 3M, 4P, 5P, 6M, 7m
Degrees: 1 2 3 4 5 6 b7
Formula: W-W-H-W-W-H-W
Number of notes: 7
Tuning: Standard (A-D-F#-B)
Also known as: dominant
Diatonic Chords
F7 — Gm7 — Am7♭5 — B♭Maj7 — Cm7 — Dm7 — E♭Maj7
About Standard Tuning
The Cuatro Venezolano is a four-string instrument tuned A-D-F#-B with a reentrant tuning — the 4th string (B) is tuned lower than the 3rd string (F#), breaking the ascending pitch order. This reentrant voicing gives the Cuatro its signature bright, harp-like strumming sound that drives the rhythm in joropo, vals venezolano, and other Venezuelan folk genres.
The Cuatro is the national instrument of Venezuela, as fundamental to Venezuelan music as the guitar is to flamenco. Its distinctive rasgueo (strumming) technique produces a rhythmic drive that is instantly recognizable. Unlike guitar, the Cuatro is primarily a rhythmic instrument — its reentrant tuning creates a compact voicing range that blends beautifully with harp and maracas in traditional ensembles. Players like Cheo Hurtado and Hernán Gamboa have elevated the Cuatro to a solo concert instrument.
Notable artists: Cheo Hurtado, Hernán Gamboa, Simón Díaz, C4 Trío, Jorge Glem
Best for: Venezuelan folk music, joropo rhythm, Latin ensemble playing, and any style that needs bright rhythmic strumming