F# Mixolydian Charango Scale — Standard
Charango scale in Standard tuning — fretboard diagram
F# Mixolydian in Standard — Notes and Intervals
The F# Mixolydian scale is the fifth mode of the major scale and the heart of rock and roll and blues. On Charango, it contains the notes F#, G#, A#, B, C#, D#, E. It combines the stability of a major sound with a more relaxed, folk-like ending, perfectly suited for soloing over dominant seventh chords and providing a bluesy, soulful vibe to major-key songs. The diatonic chords of F# Mixolydian are F#7, G#m7, A#m7b5, BMaj7, C#m7, D#m7, EMaj7. Commonly used in Blues, Rock, Country, Folk, Funk. Notable players include Jimi Hendrix, The Allman Brothers, AC/DC, Stevie Ray Vaughan. Use over dominant 7th chords (7, 9, 13). The primary scale for blues-rock soloing over non-resolving dominant chords.
Notes: F#, G#, A#, B, C#, D#, E
Intervals: 1P, 2M, 3M, 4P, 5P, 6M, 7m
Degrees: 1 2 3 4 5 6 b7
Formula: W-W-H-W-W-H-W
Number of notes: 7
Tuning: Standard (G-C-E-A-E)
Also known as: dominant
Diatonic Chords
F♯7 — G♯m7 — A♯m7♭5 — BMaj7 — C♯m7 — D♯m7 — EMaj7
About Standard Tuning
The charango is a small Andean string instrument with five courses of doubled strings, tuned G-C-E-A-E. Its reentrant tuning — with the 4th course (A) lower than the outer courses — combined with its tiny body and nylon strings produces a distinctive bright, shimmering tone that evokes the high-altitude landscapes of the Andes.
Originally crafted from armadillo shells in Bolivia and Peru, the modern charango is the soul of Andean folk music. Its ten strings (five doubled courses) create a natural chorus effect, and the reentrant tuning produces a compact voicing range where strummed chords have an almost harp-like quality. Groups like Los Kjarkas and Inti-Illimani brought the charango to international audiences, while virtuosos like Jaime Torres and Ernesto Cavour pushed its technical boundaries. The charango is essential in huayño, bailecito, and carnavalito rhythms.
Notable artists: Los Kjarkas, Jaime Torres, Ernesto Cavour, Inti-Illimani, Gustavo Santaolalla
Best for: Andean folk music, South American ensemble playing, and any composition seeking a bright, shimmering Andean texture