D Minor Six Pentatonic Charango Scale — Standard
Charango scale in Standard tuning — fretboard diagram
D Minor Six Pentatonic in Standard — Notes and Intervals
The D Minor Six Pentatonic scale is a variation of the minor pentatonic that introduces a major sixth, giving it a Dorian flavor. On Charango, the notes are D, F, G, A, B. It is more sophisticated and soulful than the standard minor pentatonic and is frequently used in jazz and fusion to outline minor chords with a brighter edge. Commonly used in Jazz, Fusion, Neo-Soul, R&B. Notable players include Wes Montgomery, George Benson, Erykah Badu. Use over m6, m7, mMaj7 chords. Adds a jazz sophistication to minor chord soloing without fully committing to a 7-note scale.
Notes: D, F, G, A, B
Intervals: 1P, 3m, 4P, 5P, 6M
Degrees: 1 b2 3 4 5
Formula: WH-W-W-W-WH
Number of notes: 5
Tuning: Standard (G-C-E-A-E)
About Standard Tuning
The charango is a small Andean string instrument with five courses of doubled strings, tuned G-C-E-A-E. Its reentrant tuning — with the 4th course (A) lower than the outer courses — combined with its tiny body and nylon strings produces a distinctive bright, shimmering tone that evokes the high-altitude landscapes of the Andes.
Originally crafted from armadillo shells in Bolivia and Peru, the modern charango is the soul of Andean folk music. Its ten strings (five doubled courses) create a natural chorus effect, and the reentrant tuning produces a compact voicing range where strummed chords have an almost harp-like quality. Groups like Los Kjarkas and Inti-Illimani brought the charango to international audiences, while virtuosos like Jaime Torres and Ernesto Cavour pushed its technical boundaries. The charango is essential in huayño, bailecito, and carnavalito rhythms.
Notable artists: Los Kjarkas, Jaime Torres, Ernesto Cavour, Inti-Illimani, Gustavo Santaolalla
Best for: Andean folk music, South American ensemble playing, and any composition seeking a bright, shimmering Andean texture