A Diminished Charango Scale — Standard
Charango scale in Standard tuning — fretboard diagram
A Diminished in Standard — Notes and Intervals
The A Diminished scale, also known as the Octatonic scale and Messiaen's Mode of Limited Transposition #2, alternates whole and half steps to create an 8-note symmetrical structure. On Charango, its notes are A, B, C, D, Eb, F, F#, G#. Only three unique diminished scales exist — after three transpositions, the notes repeat. It is the definitive sound of film noir, thrillers, and psychological horror, used by composers from Stravinsky to Hans Zimmer to evoke dread, ambiguity, and mounting tension. Use it over dim7 chords and as a sophisticated tension device over dominant 7ths. Commonly used in Jazz, Film Scores, Classical, Metal. Notable players include Django Reinhardt, Joe Pass, Bela Bartok, Dream Theater. Use over dim7 chords and as a tension device over dominant 7ths. Each diminished scale works over 4 different root notes (every minor 3rd).
Notes: A, B, C, D, Eb, F, F#, G#
Intervals: 1P, 2M, 3m, 4P, 5d, 6m, 6M, 7M
Degrees: 1 2 b3 4 5 b6 7 8
Formula: W-H-W-H-W-H-W-H
Number of notes: 8
Tuning: Standard (G-C-E-A-E)
Also known as: whole-half diminished
About Standard Tuning
The charango is a small Andean string instrument with five courses of doubled strings, tuned G-C-E-A-E. Its reentrant tuning — with the 4th course (A) lower than the outer courses — combined with its tiny body and nylon strings produces a distinctive bright, shimmering tone that evokes the high-altitude landscapes of the Andes.
Originally crafted from armadillo shells in Bolivia and Peru, the modern charango is the soul of Andean folk music. Its ten strings (five doubled courses) create a natural chorus effect, and the reentrant tuning produces a compact voicing range where strummed chords have an almost harp-like quality. Groups like Los Kjarkas and Inti-Illimani brought the charango to international audiences, while virtuosos like Jaime Torres and Ernesto Cavour pushed its technical boundaries. The charango is essential in huayño, bailecito, and carnavalito rhythms.
Notable artists: Los Kjarkas, Jaime Torres, Ernesto Cavour, Inti-Illimani, Gustavo Santaolalla
Best for: Andean folk music, South American ensemble playing, and any composition seeking a bright, shimmering Andean texture