G Phrygian Dominant Cavaquinho Scale — Standard
Cavaquinho scale in Standard tuning — fretboard diagram
G Phrygian Dominant in Standard — Notes and Intervals
The G Phrygian Dominant scale, also known as the Spanish Gypsy scale, is the definitive sound of Flamenco, Klezmer, and Middle Eastern music. On Cavaquinho, the notes are G, Ab, B, C, D, Eb, F. It sounds exotic, passionate, and aggressive, and is a favorite for metal guitarists and composers of high-drama scores. Commonly used in Flamenco, Metal, Middle Eastern, Klezmer, Film Scores. Notable players include Marty Friedman, Paco de Lucia, Ritchie Blackmore, Al Di Meola. Use over dominant chords in flamenco/metal contexts, especially V7 in harmonic minor. The go-to for 'Spanish' or 'Arabic' sounding lines.
Notes: G, Ab, B, C, D, Eb, F
Intervals: 1P, 2m, 3M, 4P, 5P, 6m, 7m
Degrees: 1 b2 3 4 5 b6 b7
Formula: H-WH-H-W-H-W-W
Number of notes: 7
Tuning: Standard (D-G-B-D)
Also known as: spanish, phrygian major
About Standard Tuning
The cavaquinho is a small four-string Brazilian instrument tuned D-G-B-D, producing a bright, punchy tone that drives the rhythm in samba, choro, and pagode. Its steel strings and small body create a percussive attack that cuts through percussion-heavy ensembles, making it the rhythmic backbone of Brazilian popular music.
The cavaquinho (also spelled cavaco) is to Brazilian music what the guitar is to rock — absolutely essential. In samba, the cavaquinho player provides the rhythmic centro (center) that holds the bateria (percussion section) together. In choro, it takes on a more melodic role, weaving intricate lines between the bandolim and guitar. Waldir Azevedo's 'Brasileirinho' is perhaps the most famous cavaquinho piece, showcasing the instrument's virtuosic potential. The cavaquinho is also the ancestor of the Hawaiian ukulele, brought to the islands by Portuguese immigrants.
Notable artists: Waldir Azevedo, Paulinho da Viola, Beth Carvalho, Nelson Cavaquinho, Luciana Rabello
Best for: Samba rhythm, choro melody and accompaniment, pagode, and Brazilian ensemble playing