G Altered Cavaquinho Scale — Standard
Cavaquinho scale in Standard tuning — fretboard diagram
G Altered in Standard — Notes and Intervals
The G Altered scale is the ultimate dominant scale in jazz. On Cavaquinho, its notes are G, Ab, A#, B, C#, Eb, F. It contains every possible altered tension, making it sound extremely dissonant and complex. It is used by professional improvisers to create maximum tension over a dominant chord before a satisfying resolution. Commonly used in Jazz, Fusion, Post-Bop, Contemporary. Notable players include John Coltrane, Michael Brecker, Pat Metheny, Chick Corea. Use over 7alt, 7#9, 7b9, 7#5, 7b5 chords. The definitive scale for altered dominant chords that resolve to minor. Play C Altered over C7alt resolving to Fm.
Notes: G, Ab, A#, B, C#, Eb, F
Intervals: 1P, 2m, 2A, 3M, 4A, 6m, 7m
Degrees: 1 b2 #3 4 #5 b6 b7
Formula: H-W-H-W-W-W-W
Number of notes: 7
Tuning: Standard (D-G-B-D)
Also known as: super locrian, diminished whole tone, pomeroy
About Standard Tuning
The cavaquinho is a small four-string Brazilian instrument tuned D-G-B-D, producing a bright, punchy tone that drives the rhythm in samba, choro, and pagode. Its steel strings and small body create a percussive attack that cuts through percussion-heavy ensembles, making it the rhythmic backbone of Brazilian popular music.
The cavaquinho (also spelled cavaco) is to Brazilian music what the guitar is to rock — absolutely essential. In samba, the cavaquinho player provides the rhythmic centro (center) that holds the bateria (percussion section) together. In choro, it takes on a more melodic role, weaving intricate lines between the bandolim and guitar. Waldir Azevedo's 'Brasileirinho' is perhaps the most famous cavaquinho piece, showcasing the instrument's virtuosic potential. The cavaquinho is also the ancestor of the Hawaiian ukulele, brought to the islands by Portuguese immigrants.
Notable artists: Waldir Azevedo, Paulinho da Viola, Beth Carvalho, Nelson Cavaquinho, Luciana Rabello
Best for: Samba rhythm, choro melody and accompaniment, pagode, and Brazilian ensemble playing